God Is Becoming All In All
Christian Cosmos
Which Echo Again And Again
3:50 April 23, 2012
BPM
120
Key
F♯ Major
Camelot
2B

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God Is Becoming All In All by Christian Cosmos Song Details

"God Is Becoming All In All" by Christian Cosmos had its release date on April 23, 2012. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Which Echo Again And Again by Christian Cosmos. The song's track number on the album is #5 out of 5 tracks. Based on our statistics, God Is Becoming All In All's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

Since God Is Becoming All In All by Christian Cosmos has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With God Is Becoming All In All being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Music Key

F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-20.533 dB
Acousticness
0%
Danceability
60%
Energy
58%
Instrumentalness
88%
Liveness
12%
Loudness
66%
Speechiness
4%
Valence
3%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records