Deborah Brown Quartet, Sylwester Ostrowski, Rob Bargad, Joris Teepe, Newman Taylor Baker's ' "Kansas City Here I Come" was released on its scheduled release date, November 18, 2016. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Deborah Brown Quartet & Sylwester Ostrowski's "Kansas City Here I Come" album is number 6 out of 10. On top of that, Poland appears to be the country where this track was created. Based on our statistics, Kansas City Here I Come's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Kansas City Here I Come by Deborah Brown Quartet, Sylwester Ostrowski, Rob Bargad, Joris Teepe, Newman Taylor Baker to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dawn Paisley | Eli Wash | G Minor | 3 | 6A | 77 BPM | ||
| Boppin And A Beepin | Jim Pearce | A♭ Major | 4 | 4B | 146 BPM | ||
| You and the Music | Sarah McKenzie | F Minor | 4 | 4A | 128 BPM | ||
| What Do You See in Her | Cæcilie Norby | D♭ Major | 2 | 3B | 119 BPM | ||
| Tabarin Olimpo (Big Band Version) | Bob Salmieri Bastarduna Quintet, Mary Ann Palermo, Pasquale Innarella | A Minor | 3 | 8A | 180 BPM | ||
| Changes | Mathias Algotsson, Johan Setterlind | G Minor | 0 | 6A | 99 BPM | ||
| Together Forever | Bo Stief, Bobo Moreno, Ole Kock Hansen | D♭ Major | 0 | 3B | 92 BPM | ||
| Forgotten How to Say Goodbye | Steven Taetz, Tia Brazda | E♭ Major | 3 | 5B | 140 BPM | ||
| Thirty Three And A Third | Jim Pearce | G Minor | 6 | 6A | 107 BPM | ||
| Hollow Visions | AethericArtisan | E Minor | 3 | 9A | 87 BPM | ||
| Wait | Jimmie Herrod | D♭ Major | 3 | 3B | 144 BPM | ||
| Droppin' Things | Cæcilie Norby, Rita Marcotulli, Nicole Johänntgen, Hildegunn Øiseth, Lisa Wulff, Dorota Piotrowska | D♭ Major | 4 | 3B | 125 BPM | ||
| Find Another You | Christian Frentzen, Dannielle De Andrea | A Minor | 0 | 8A | 80 BPM | ||
| Cigarettes and Goodbyes | Choll | G Major | 1 | 9B | 97 BPM | ||
| You Pull Through | Stevie Holland | A♭ Major | 4 | 4B | 100 BPM | ||
| Find Yourself A Vision | Janet Benna | A♭ Major | 2 | 4B | 137 BPM | ||
| Too Chill to Move | Mira Rae | C Major | 2 | 8B | 90 BPM | ||
| It's Crazy | Sara Lazarus | F Minor | 5 | 4A | 89 BPM | ||
| Mellow Mirage | Jazz Cafè | F Major | 5 | 7B | 120 BPM | ||
| Odd Man Out | Nuvole | F Major | 3 | 7B | 135 BPM | ||
| The Right to Love | Cæcilie Norby | C Major | 2 | 8B | 114 BPM | ||
| Sea of Lies | Malene Mortensen | A♭ Major | 2 | 4B | 120 BPM | ||
| Love in Vain | Soesja Citroen | D Minor | 1 | 7A | 141 BPM | ||
| I Won't Dance | Tony Bennett, Bill Charlap | B♭ Major | 2 | 6B | 95 BPM | ||
| Washington Square Park | Jim Pearce | C Minor | 2 | 5A | 68 BPM |