"Peroket" by Peter Machajdik, Milan Pala had its release date on January 11, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Solo 4 by Milan Pala. The song's track number on the album is #15 out of 19 tracks. Based on our statistics, Peroket's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Peroket by Peter Machajdik, Milan Pala has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Peroket being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ultima luce | Ingo Höricht, Michael Berger | A♭ Major | 1 | 4B | 85 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Impresiones Intimas: No. 8, Secreto | Federico Mompou, Alistair McGowan | F♯ Major | 0 | 2B | 70 BPM | ||
| Midday Tumble | Whispurr | G Major | 1 | 9B | 84 BPM | ||
| Mystic Canopy | Conard Sandpiper | D♭ Major | 0 | 3B | 87 BPM | ||
| The Last One | Chicco Birds | B♭ Minor | 0 | 3A | 75 BPM | ||
| Vega | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet | A♭ Major | 0 | 4B | 76 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 4a, Prelude in E Minor | Dmitri Shostakovich, Sofia Sacco | G Major | 0 | 9B | 72 BPM | ||
| A Hudson Cycle | Nico Muhly, Lavinia Meijer | B♭ Minor | 0 | 3A | 92 BPM | ||
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| 17 - 25 | Cello Octet Amsterdam | F Major | 0 | 7B | 127 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| The Immanent Velvet, Pt. II. | Peter Machajdik | G Major | 0 | 9B | 112 BPM | ||
| Images, Suite No. 4, Op. 39: XII. La danse du Moujik | Marcel Tournier, Magdalena Hoffmann | E Minor | 1 | 9A | 126 BPM | ||
| Smoke And Mirrors | Vassilis Tsabropoulos | E♭ Minor | 0 | 2A | 70 BPM | ||
| Tanto Espaço | Slava Grigoryan, Sharon Grigoryan | D Major | 0 | 10B | 115 BPM | ||
| Summa | Arvo Pärt, English Chamber Orchestra, Nigel Short | G Minor | 0 | 6A | 100 BPM | ||
| Invierno de Gestas | Senderos Del Destino | G Major | 5 | 9B | 80 BPM | ||
| Creador De Sueños | Leonard Maraiz | C Major | 5 | 8B | 140 BPM | ||
| Part VII: Haunting Echoes | Claude Pendereich | D Minor | 2 | 7A | 91 BPM | ||
| Hollow | Bass Lover | N/A | N/A | N/A | 0 BPM | ||
| Nostalghia (To Leonid Hrabovsky) | Valentin Silvestrov, Alexei Lubimov | A♭ Major | 0 | 4B | 67 BPM | ||
| Suite for Harp: Movement III | Bryce Dessner, Lavinia Meijer | C Minor | 0 | 5A | 85 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 85 BPM | ||
| Bagatellen: IV | Valentin Silvestrov | D♭ Major | 0 | 3B | 67 BPM |