"Two Ways Out" by Éric Serra had its release date on September 14, 1994. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Éric Serra's "Léon (Original Motion Picture Soundtrack)" album is number 23 out of 24. On top of that, France appears to be the country where this track was created. Two Ways Out is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Two Ways Out by Éric Serra to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strictly Criminal | Junkie XL | C Minor | 2 | 5A | 69 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| John | Brian Tyler, Klaus Badelt | D Minor | 0 | 7A | 92 BPM | ||
| Can I Sit Next to You | Cliff Martinez | G Minor | 1 | 6A | 81 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| We Will Miss You | Éric Serra | C Minor | 3 | 5A | 130 BPM | ||
| First Love Touch | Angelo Badalamenti | F Major | 1 | 7B | 140 BPM | ||
| Do You Know What It Feels Like? | Jared M. Lane | C Minor | 1 | 5A | 170 BPM | ||
| La Chanson D'Hélène - Instrumental Version | Philippe Sarde | A Minor | 3 | 8A | 99 BPM | ||
| Homo Delphinus | Éric Serra | D♭ Major | 1 | 3B | 88 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Then We Are Together | Johan Söderqvist | A♭ Major | 2 | 4B | 171 BPM | ||
| The Big Blue - Ouverture | Éric Serra | F♯ Major | 4 | 2B | 73 BPM | ||
| Above the Sky | Kenan Bauen, Kenap D | F Minor | 1 | 4A | 83 BPM | ||
| Zoe's First Close-Up | Jeff Beal | C Minor | 1 | 5A | 137 BPM | ||
| Cloudless Skies | Rob Simonsen | F Minor | 3 | 4A | 90 BPM | ||
| Awaken (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | C Minor | 0 | 5A | 77 BPM | ||
| Louis et Pelo / Sur le toit de l'église | Georges Granier | F Minor | 1 | 4A | 75 BPM | ||
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| Eva Brauns letzter Brief | Stephan Zacharias | F Minor | 0 | 4A | 79 BPM | ||
| La terrasse | Christophe Julien | G Minor | 1 | 6A | 85 BPM | ||
| My Dear Anne | Carter Burwell | A Minor | 0 | 8A | 82 BPM | ||
| The Turing Test | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 139 BPM | ||
| Dinner Jackets (From "Casino Royale" Soundtrack) | David Arnold | C Major | 0 | 8B | 103 BPM | ||
| Who Was She? | Nico Muhly | G Minor | 1 | 6A | 95 BPM |