Philip Glass Ensemble's 'Act III: Trial, Prison' had a release date set for September 28, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Philip Glass Ensemble's "Glass: Einstein on the Beach" album is number 5 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, Act III: Trial, Prison's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act III: Trial, Prison by Philip Glass Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barren Heart | Orithia | E Minor | 1 | 9A | 111 BPM | ||
| Florin Court | Faten Kanaan | C Major | 3 | 8B | 88 BPM | ||
| China Gates | John Adams, Ralph van Raat | B Major | 1 | 1B | 145 BPM | ||
| Slow Dance | Beverly Glenn-Copeland | A♭ Major | 7 | 4B | 143 BPM | ||
| Under Track Klack | The Serfs | C Major | 8 | 8B | 132 BPM | ||
| Islands (Remix) - Specially Mixed for Your Personal Cassette Player | Philip Glass, Philip Glass Ensemble, Michael Riesman | B♭ Minor | 1 | 3A | 96 BPM | ||
| A room (Two Pieces for Harp) - 1942 | John Cage, Floraleda Sacchi | D♭ Minor | 1 | 12A | 86 BPM | ||
| A Sonic Womb Pt. 2 | Suzanne Ciani | G Minor | 1 | 6A | 154 BPM | ||
| Buddha - version 2 | Julius Eastman, Emmanuel Jacob Lacopo, Amelya N.S.H. | E♭ Major | 0 | 5B | 60 BPM | ||
| Ombre Mirage | Syrduk | F Minor | 5 | 4A | 148 BPM | ||
| Interludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | A♭ Minor | 0 | 1A | 77 BPM | ||
| M - Music I - Inside C - Curved E-Entrances | Terry Riley | F♯ Minor | 6 | 11A | 100 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Appalachian Grove II | Laurie Spiegel | B♭ Minor | 0 | 3A | 74 BPM | ||
| Solstice | Viral Drift | G Major | 4 | 9B | 176 BPM | ||
| Like Last Night | Stine Janvin | F♯ Major | 2 | 2B | 145 BPM | ||
| The Sound of Your Smile | leo brisa | A Major | 5 | 11B | 165 BPM | ||
| Night & Day Excerpt 3 | Mr. Ferrando | B Minor | 3 | 10A | 116 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | ||
| Church of Anthrax | Terry Riley, John Cale | A Minor | 8 | 8A | 104 BPM | ||
| Section IX | Steve Reich, Erik Hall | E Major | 6 | 12B | 108 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | C Major | 8 | 8B | 132 BPM | ||
| Facades | Philip Glass, Michael Riesman, Philip Glass Ensemble | B♭ Major | 1 | 6B | 71 BPM | ||
| Very Never (My Mind Extends) | Tomaga, Cathy Lucas | F Major | 9 | 7B | 101 BPM |