"to be continued" by 梶浦 由記 had its release date on September 20, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 69 in Fate/Zero Original Soundtrack by 梶浦 由記. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, to be continued's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of to be continued by 梶浦 由記 is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme of Violet Evergarden | Evan Call | A Major | 2 | 11B | 82 BPM | ||
| 終末のイゼッタ | Michiru | E♭ Major | 3 | 5B | 136 BPM | ||
| 約束された勝利の剣 (Kenji Kawai ver.) - Kenji Kawai Version | Kenji Kawai | D Major | 8 | 10B | 148 BPM | ||
| 孤高 | 藤澤慶昌 | C Major | 3 | 8B | 150 BPM | ||
| Kakugo | Jigoku Shoujo | E Minor | 7 | 9A | 175 BPM | ||
| 灰ト祈リ (Long Intro Instrumental) | GEMS COMPANY | E Minor | 2 | 9A | 76 BPM | ||
| Nunnally | Hitomi Kuroishi | C Major | 1 | 8B | 92 BPM | ||
| ずっとずっとそばにいさせてください | 藤澤慶昌 | D Major | 3 | 10B | 133 BPM | ||
| you are not alone #3 | 梶浦 由記 | C Minor | 1 | 5A | 108 BPM | ||
| Ⅱ into the light | 梶浦 由記 | C Minor | 3 | 5A | 75 BPM | ||
| 果てしない蒼 | mamomo | C Major | 9 | 8B | 110 BPM | ||
| Powerful Enemy Encounter | Keiji Inai | C Major | 7 | 8B | 151 BPM | ||
| Shining In The Sky | Kokei | D Major | 3 | 10B | 68 BPM | ||
| Across the Violet Sky | Evan Call | C Major | 2 | 8B | 85 BPM | ||
| a tender feeling | 梶浦 由記 | A Major | 1 | 11B | 139 BPM | ||
| Through the Eyes of God | Evan Call | G Minor | 1 | 6A | 114 BPM | ||
| L-Latte | Sawano Hiroyuki | E Minor | 2 | 9A | 166 BPM | ||
| 4-a:slow | Sawano Hiroyuki | A Minor | 2 | 8A | 106 BPM | ||
| Mvt. 5 "Schmetterling" (Symphonic Suites from Tokyo Ghoul) | Yutaka Yamada | D♭ Minor | 2 | 12A | 84 BPM | ||
| The Sound of the End | 帆足圭吾 | D Minor | 8 | 7A | 112 BPM | ||
| Sleigh Beggey | Junichi Matsumoto | E Minor | 1 | 9A | 185 BPM | ||
| Point Zero | 梶浦 由記 | A Minor | 6 | 8A | 120 BPM | ||
| if you leave | 梶浦 由記 | F Major | 2 | 7B | 177 BPM | ||
| Rosary - Outro | Binary Haze Interactive, Mili | A Minor | 4 | 8A | 74 BPM | ||
| Sagitta luminis | 梶浦 由記 | A Major | 3 | 11B | 91 BPM |