- BPM
- 77
- Key
- C Major
- Camelot
- 8B
Wandrers Nachtlied II, Op. 96 No. 3, D. 768 (Arr. X. van Dijk for String Quartet) by Franz Schubert, Signum Quartet Song Details
"Wandrers Nachtlied II, Op. 96 No. 3, D. 768 (Arr. X. van Dijk for String Quartet)" by Franz Schubert, Signum Quartet had its release date on March 1, 2018. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Wandrers Nachtlied II, Op. 96 No. 3, D. 768 (Arr. X. van Dijk for String Quartet)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schubert: Aus der Ferne". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Wandrers Nachtlied II, Op. 96 No. 3, D. 768 (Arr. X. van Dijk for String Quartet) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Wandrers Nachtlied II, Op. 96 No. 3, D. 768 (Arr. X. van Dijk for String Quartet) by Franz Schubert, Signum Quartet having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 20%
- Loudness
- -34.411 dB
- Acousticness
- 90%
- Danceability
- 21%
- Energy
- 1%
- Instrumentalness
- 29%
- Liveness
- 7%
- Loudness
- 43%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | |
 | Saint-Saëns: Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Antonio Pappano, Martha Argerich, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 87 BPM | |
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 | Giulio Cesare, HWV 17: Piangero la sorte mia (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | E Major | 0 | 12B | 70 BPM | |
 | Rêve d'enfant, Op. 14 | Eugène Ysaÿe, Rachel Barton Pine, Matthew Hagle | B♭ Minor | 1 | 3A | 83 BPM | |
 | Piano Concerto No. 6 in C Major, H. 49: II. Larghetto | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | E Major | 0 | 12B | 79 BPM | |
 | Six Pieces for Piano, Op. 118: II. Intermezzo in A Major. Andante teneramente (Arr. Popov for Clarinet and Piano) | Johannes Brahms, Andreas Ottensamer, Yuja Wang | A Major | 0 | 11B | 71 BPM | |
 | Clarinet Concerto No. 5 in B-Flat Major: II. Adagio | Carl Stamitz, Paul Meyer, Kurpfälzisches Kammerorchester, Johannes Schlaefli | A Major | 0 | 11B | 115 BPM | |
 | Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italianaed | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | G Minor | 0 | 6A | 95 BPM | |
 | Piano Concerto No. 6 In C Major, H. 49 X: II. Larghetto | Benjamin Frith, Royal Northern Sinfonia, John Field | E Major | 0 | 12B | 91 BPM | |
 | Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 120 BPM | |
 | Les Baricades Misterieuses | François Couperin, Evgenia Papadimas | B♭ Major | 0 | 6B | 73 BPM | |
 | Nocturne No. 5 in B-Flat Major | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | |
 | Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, Solem Quartet | G Major | 1 | 9B | 74 BPM | |
 | String Quartet, Op. 11: II. Molto adagio | Samuel Barber, Ying Quartet | A Minor | 0 | 8A | 79 BPM | |
 | 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Felix Froschhammer, Florian Rohn | A Minor | 0 | 8A | 178 BPM | |
 | El cant dels ocells (Version for Cello & String Quartet) | Pau Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | |
 | Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": II. Andante | Ludwig van Beethoven, Mari Kodama | B♭ Major | 0 | 6B | 170 BPM | |
 | Waldszenen, Op. 82: No. 1. Eintritt (Entering the Forest) | Robert Schumann, Martin Helmchen | B♭ Major | 0 | 6B | 119 BPM | |
 | Sweet and Low (arr. J. Lloyd Webber for 2 cellos and piano) | Joseph Barnby, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | C Major | 1 | 8B | 81 BPM | |
 | III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | |
 | Mendelssohn: Songs Without Words, Book II, Op. 30: No. 6, Allegretto tranquillo, MWV U110 "Venetian Boat Song" | Felix Mendelssohn, Daniel Adni | F♯ Minor | 0 | 11A | 132 BPM | |
 | Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | |
 | Quilter: 3 Songs, Op. 3: No. 2, Now Sleeps the Crimson Petal (Arr. Hough for Piano) | Roger Quilter, Stephen Hough | F♯ Major | 0 | 2B | 131 BPM |
- ISRC
- NLE421701509
- Label
- L-M Records/RCA Records