Pujya Rajan Ji Official's ' "Aayega Jab Re Bulawa Hari Ka - Live" was released on its scheduled release date, October 14, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Aayega Jab Re Bulawa Hari Ka (Live) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Aayega Jab Re Bulawa Hari Ka - Live is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aayega Jab Re Bulawa Hari Ka - Live by Pujya Rajan Ji Official is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tera Kisne Kiya Shringaar Sanware | Upasana Mehta | A Minor | 8 | 8A | 93 BPM | ||
| Tarang Gang Jata Joot Me | Pujya Rajan Ji Official | E♭ Minor | 8 | 2A | 128 BPM | ||
| Salasar Kai Mandir Main | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Tum Utho Siya Shringar Karo - Ram Bhajan | Saloni Thakkar, Buddhaa M | E Major | 3 | 12B | 115 BPM | ||
| Mujhko Nandi Bana Le | Shekhar Jaiswal | G Major | 7 | 9B | 90 BPM | ||
| Om Jai Jagdish Swami | Pramod Medhi, Anjali Jain | E♭ Major | 3 | 5B | 127 BPM | ||
| Main To Aayi Vrindavan Dham | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Ho Gaye Bhav Se Par Lekar Nam Tera | Priyanshu Sharma | E♭ Major | 5 | 5B | 106 BPM | ||
| Teri Mand Mand Muskaniya Pe Balihar Sanware | Krishna Goswami Ji Maharaj | D♭ Minor | 7 | 12A | 106 BPM | ||
| Choti Si Kishori | Dhruv Sharma, Swarna Shri | E♭ Major | 5 | 5B | 178 BPM | ||
| Shankar Teri Jata Se Behti Hai Gang Dhara | The Bundeli Artists | A♭ Minor | 7 | 1A | 147 BPM | ||
| He Ri Sakhi Mangal Gaao Ri | Mishra Bandhu | D♭ Major | 9 | 3B | 101 BPM | ||
| Duniya Se Main Hara To Aaya Tere Dwar | Ankit Pathak | D♭ Major | 9 | 3B | 95 BPM | ||
| Sawre KO Dil Me Basa Kar | Chitra Vichitra Ji Maharaj | B♭ Minor | 9 | 3A | 77 BPM | ||
| Janamashtami Mashup | Dhruv Sharma, Swarna Shri | D♭ Major | 4 | 3B | 105 BPM | ||
| Laagi Tum Sang Yaari Mere Banke Bihari | Acharya Mridul Krishna Goswami | G Major | 8 | 9B | 112 BPM | ||
| Ram Ko Dekh Kar Shri Janak Nandini | Prakash Gandhi | F Major | 7 | 7B | 136 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Hamare Sath Bholenath | Gajendra Pratap Singh | F Major | 7 | 7B | 139 BPM | ||
| Nibiya Ke Daadh Maiya | MANOJ TIWARI | F♯ Major | 5 | 2B | 115 BPM | ||
| Shri Shiv Rudrashtakam (Namami Shamishan) | Priyankaa Bhattacharya | A Major | 5 | 11B | 126 BPM | ||
| Sawali Surat Par Mohan Dil Diwana Ho Gaya | jhukur singh | C Major | 9 | 8B | 100 BPM | ||
| Ujjain Ke Raja Kabhi Kirpa Najariya - Hindi | Kishan Bhagat | D Major | 8 | 10B | 102 BPM | ||
| Sita Ram Sita Ram Kahiye | Devendra Pathak | A♭ Major | 8 | 4B | 130 BPM |