- BPM
- 88
- Key
- A♭ Major
- Camelot
- 4B
Phantasia (Based on 'The Phantom of the Opera') by Julian Lloyd Webber, Andrew Lloyd Webber, Sarah Chang Song Details
"Phantasia (Based on 'The Phantom of the Opera')" by Julian Lloyd Webber, Andrew Lloyd Webber, Sarah Chang had its release date on July 19, 2005. This song appears to be safe for all ages as it is not explicit. There are a total of 2 in the song's album "Phantasia: The Woman in White Suite". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Phantasia (Based on 'The Phantom of the Opera') is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Phantasia (Based on 'The Phantom of the Opera') by Julian Lloyd Webber, Andrew Lloyd Webber, Sarah Chang having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -20.088 dB
- Acousticness
- 90%
- Danceability
- 18%
- Energy
- 14%
- Instrumentalness
- 76%
- Liveness
- 17%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Famous Blue Raincoat (Arr. Metcalfe, Foster) | Miloš Karadaglić, 12 Ensemble, Katherine Tinker | A Minor | 1 | 8A | 76 BPM | |
 | Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | |
 | Sketchbook, Op. 2: Oh, that we two were maying (arr. J. Lloyd Webber for 2 cellos and piano) | Ethelbert Nevin, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | G Major | 1 | 9B | 83 BPM | |
 | "Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: II. Un poco più animato | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Major | 1 | 10B | 92 BPM | |
 | 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | |
 | Après un Rêve: Op. 7, No. 1 | Duo Arnicans | G Major | 1 | 9B | 86 BPM | |
 | Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | |
| Moon Silver (arr. J. Lloyd Webber for 2 cellos and piano) | William Lloyd Webber, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | A♭ Major | 0 | 4B | 86 BPM | |
 | Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | |
 | Lyric Pieces, Book I, Op. 12: No. 1, Arietta | Edvard Grieg, Javier Perianes | G Minor | 0 | 6A | 65 BPM | |
 | 7 Danish Songs: No. 2, Through Long, Long Years (Arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | D♭ Major | 0 | 3B | 163 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Myrten, Op. 25: No. 1, Widmung (Transcr. Soltani for Cello and Piano) | Robert Schumann, Kian Soltani, Julien Quentin | A♭ Major | 1 | 4B | 77 BPM | |
 | Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | 7 Canciones populares Españolas: No. 5, Nana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | A Minor | 0 | 8A | 170 BPM | |
 | Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | |
 | Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina (Version for Cello and Piano) | Julian Lloyd Webber, John Lenehan | C Major | 1 | 8B | 169 BPM | |
 | Concerto for Cello and Orchestra: I | Philip Glass, Julian Lloyd Webber, Gerard Schwarz, Royal Liverpool Philharmonic Orchestra | A♭ Major | 2 | 4B | 74 BPM | |
 | Cinema Paradiso | Ennio Morricone, Raphaela Gromes, Julian Riem | B♭ Major | 1 | 6B | 66 BPM | |
 | Lullaby, Op.57, No.2 | Cyril Scott, Julian Lloyd Webber, John Lenehan | D Major | 0 | 10B | 80 BPM | |
 | Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | |
 | Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | |
 | The Star of the County Down (Arr. Lloyd Webber) | Traditional, Julian Lloyd Webber | E Minor | 0 | 9A | 63 BPM |
- ISRC
- GBAYC0500511
- Label
- L-M Records/RCA Records