"この道は何処へ" by Anzen Chitai had its release date on 1990. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 安全地帯VII~夢の都, so we believe that "この道は何処へ" is a single. In terms of popularity, この道は何処へ is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of この道は何処へ by Anzen Chitai is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 二人の夏 | ZARD | F♯ Major | 6 | 2B | 144 BPM | ||
| このまま君だけを奪い去りたい | Tetsuro Oda | E Major | 2 | 12B | 135 BPM | ||
| 気配 | Takao Kisugi | D Minor | 1 | 7A | 93 BPM | ||
| PRAYER -祈り- | George Yanagi | A Major | 3 | 11B | 152 BPM | ||
| 俺はシャウト! | Yosui Inoue, Anzen Chitai | A♭ Minor | 9 | 1A | 165 BPM | ||
| 恋文(ラブレター) | C-C-B | E Minor | 8 | 9A | 152 BPM | ||
| 希望 | Satoshi Hayashibe | G Major | 4 | 9B | 84 BPM | ||
| 君がここにいてほしい - 2022 Remaster | Kiyotaka Sugiyama | F♯ Major | 5 | 2B | 80 BPM | ||
| あの空を忘れない | Keizo Nakanishi | E♭ Major | 7 | 5B | 144 BPM | ||
| ・・・ふたり・・・ | Anzen Chitai | G Major | 3 | 9B | 141 BPM | ||
| 彼と彼女のソネット | Taeko Onuki | C Major | 3 | 8B | 96 BPM | ||
| Stray Love | ZARD | G Major | 7 | 9B | 140 BPM | ||
| サヨナラから始めよう ~Acoustic Version~ | T-BOLAN | G Major | 9 | 9B | 107 BPM | ||
| あの夏を追いかけて | Anzen Chitai | A Major | 7 | 11B | 116 BPM | ||
| また逢える… (Acoustic Version) | KIX・S | F♯ Major | 4 | 2B | 159 BPM | ||
| Change | Mariko Nagai | C Major | 7 | 8B | 136 BPM | ||
| もう一度・・・ | THE JAYWALK | A♭ Major | 8 | 4B | 112 BPM | ||
| これからのI Love You | 中山美穂 | A Major | 5 | 11B | 138 BPM | ||
| 父への遺言 | Shinji Tanimura | E Major | 3 | 12B | 176 BPM | ||
| 君が瞳にしみる | Keizo Nakanishi | A♭ Minor | 7 | 1A | 98 BPM | ||
| OFF STAGE | Akiko Kobayashi | F Minor | 4 | 4A | 90 BPM | ||
| Sad Today, Happy Tomorrow | Cho Yong Pil | G Major | 4 | 9B | 145 BPM | ||
| HARD TO SAY "I LOVE YOU" | Minako Honda | E♭ Major | 3 | 5B | 142 BPM | ||
| 夢のあいだ | Misato Watanabe | D♭ Major | 5 | 3B | 125 BPM | ||
| Tokyo ga Suki | Keiko Mizukoshi | F♯ Major | 8 | 2B | 111 BPM |