Sindhu Raghupathy's ' "Shivaganga Giriya" was released on its scheduled release date, February 28, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sindhu Nagesh, Sindhu Raghupathy, Shalini Deshpande, Archana's "Kailashadodeya Shivanavathara" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Shivaganga Giriya's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Shivaganga Giriya by Sindhu Raghupathy to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brahmamokkate | T.Srinivas | C Major | 4 | 8B | 82 BPM | ||
| Kadale | Tushar Raut, Sindhu Raghupathy | B Major | 7 | 1B | 110 BPM | ||
| Anthayu Neeve | G Balakrishna Prasad | A♭ Major | 5 | 4B | 84 BPM | ||
| Kaashiyinda Bandanalli | S. Janaki | B♭ Minor | 5 | 3A | 142 BPM | ||
| Sharanara Kayai | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | C Major | 3 | 8B | 166 BPM | ||
| Deepa Vadive Thirumagale | Saindhavi | G Major | 8 | 9B | 144 BPM | ||
| Raghavendra Raghavendra | Puttur Narasimha Nayak, Kusuma | D♭ Minor | 7 | 12A | 174 BPM | ||
| Sri Rama Harathi | T.Srinivas | F Major | 3 | 7B | 120 BPM | ||
| Mereyadiru | Vid Narayan | F Minor | 6 | 4A | 160 BPM | ||
| Ena Bedali Ganapa | Sindhu Raghupathy, Sujatha Dutt, Sri Chandru | F♯ Major | 8 | 2B | 99 BPM | ||
| Sri Dakshinamurthi Stotram | Bombay Sisters | F♯ Major | 5 | 2B | 78 BPM | ||
| Murudeshwarakke Hogona | Venkatesh, Sindhu Raghupathy | A Major | 8 | 11B | 107 BPM | ||
| Eradu Manada Maathe | S. P. Balasubrahmanyam, Hamsalekha | B♭ Minor | 4 | 3A | 85 BPM | ||
| Paahima Paahima | Sindhu Raghupathy | B Minor | 6 | 10A | 81 BPM | ||
| Anjaneya Dandakam | Bheri Umamahesh | F Major | 0 | 7B | 130 BPM | ||
| Sri Runa Vimochana Ganapati Stotram | Bhandhavi | A Major | 3 | 11B | 81 BPM | ||
| Okkade Okkade (From "Sri Manjunatha") | S. P. Balasubrahmanyam | A♭ Minor | 4 | 1A | 141 BPM | ||
| Jagadapu Chanavula | G Balakrishna Prasad | C Minor | 5 | 5A | 136 BPM | ||
| Nrusimha Mruthyumjayam Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | B♭ Minor | 3 | 3A | 113 BPM | ||
| Mahimakara | Sindhu Raghupathy | A Major | 8 | 11B | 96 BPM | ||
| Aavani Thingal | Ve.P.Raj, Mukilan, T. L. Maharajan | F Major | 6 | 7B | 136 BPM | ||
| Shyamala Stothram | Sri Hari Achuta Rama Sastry | B Major | 2 | 1B | 119 BPM | ||
| Nannesu | Vid Narayan | D Minor | 3 | 7A | 79 BPM | ||
| Ramayanamu | Shreya Ghoshal, K. S. Chithra | B♭ Major | 7 | 6B | 83 BPM | ||
| Baaro Manake | Sri Vidyabhushana | G Major | 6 | 9B | 88 BPM |