Julien Baker's 'Favor' had a release date set for February 26, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Julien Baker's "Little Oblivions" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Favor is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Favor by Julien Baker to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love, Try Not To Let Go | Julia Jacklin | C Major | 5 | 8B | 125 BPM | ||
| Neil Young on High | The Ophelias, Julien Baker | D Major | 3 | 10B | 120 BPM | ||
| Co-op | Bess Atwell | B♭ Major | 4 | 6B | 127 BPM | ||
| I Don't Wanna Be Funny Anymore | Lucy Dacus | A♭ Major | 8 | 4B | 135 BPM | ||
| Pepsi | Claud | F Major | 7 | 7B | 106 BPM | ||
| born again runner | Tomberlin | C Major | 2 | 8B | 129 BPM | ||
| Two Haunted Houses | Charlie Hickey | D Major | 5 | 10B | 150 BPM | ||
| Hot & Heavy | Lucy Dacus | C Major | 8 | 8B | 135 BPM | ||
| i saw you in a dream | The Japanese House | E Major | 3 | 12B | 138 BPM | ||
| Buzz | Maddie Medley | A♭ Major | 4 | 4B | 174 BPM | ||
| Thumbs | Lucy Dacus | G Minor | 1 | 6A | 98 BPM | ||
| Let It All Go | Francis of Delirium | E Major | 7 | 12B | 118 BPM | ||
| It's Infinite | Lomelda | C Major | 2 | 8B | 137 BPM | ||
| Lydia Wears A Cross | Julia Jacklin | C Minor | 0 | 5A | 107 BPM | ||
| Hideout | girlpuppy | D Major | 5 | 10B | 85 BPM | ||
| Something to Believe | Weyes Blood | E Major | 4 | 12B | 137 BPM | ||
| Don't Think About Me | Laura Stevenson | D♭ Major | 4 | 3B | 120 BPM | ||
| Time Comes in Roses | Bess Atwell | F Major | 2 | 7B | 123 BPM | ||
| Moving Cars | Laura Stevenson | B Major | 2 | 1B | 116 BPM | ||
| Claws in Your Back | Julien Baker | B Minor | 3 | 10A | 66 BPM | ||
| Drink The Lake | IAN SWEET | C Major | 8 | 8B | 164 BPM | ||
| Roadkill | Squirrel Flower | G Major | 10 | 9B | 160 BPM | ||
| Yard | Slow Pulp | E Minor | 7 | 9A | 133 BPM | ||
| Where the Time Went | Ex:Re, Josephine Stephenson, 12 Ensemble | D♭ Major | 2 | 3B | 97 BPM | ||
| Ballad of Big Nothing | Julien Baker | D Major | 3 | 10B | 105 BPM |