Lotte Anker, Fred Frith's ' "Non-Precision Approach Procedure" was released on its scheduled release date, December 5, 2014. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 8 in Edge of the Light by Lotte Anker, Fred Frith. In terms of popularity, Non-Precision Approach Procedure is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Non-Precision Approach Procedure by Lotte Anker, Fred Frith is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| Lost souls | Iain Ballamy, Rob Luft, Conor Chaplin, Corrie Dick | E Minor | 3 | 9A | 106 BPM | ||
| Tone IQ | Matthew Shipp | G Major | 2 | 9B | 96 BPM | ||
| Litari | Renato Vecchio | A Minor | 4 | 8A | 120 BPM | ||
| Mother Tongue | Henriette Groth, Lotte Anker | C Major | 1 | 8B | 85 BPM | ||
| lluvia | Karen Zarate | D Major | 3 | 10B | 108 BPM | ||
| Pulsar 167 - En Vivo | Jimmy Herrera, Juan María Alfredo Herrera | D Major | 3 | 10B | 108 BPM | ||
| Stalagmites (2022) for two prepared microtonal pianos | Matt Choboter, Juniper Fuse, Lotte Anker, Simon Toldam, Peter Bruun, Matias Escudero Seibæk | G Major | 0 | 9B | 88 BPM | ||
| Tomikron | Unionen | A Minor | 3 | 8A | 123 BPM | ||
| Storytelling (For Eduardo Galeano): Chapter 2 - Live at Theater Gütersloh | Fred Frith, Lotte Anker, Sam Dühsler | A Major | 1 | 11B | 76 BPM | ||
| Color of Heart | Fred Frith Trio, Lotte Anker, Susana Santos Silva | D♭ Minor | 5 | 12A | 151 BPM | ||
| Birds | Palle Mikkelborg | B♭ Minor | 1 | 3A | 59 BPM | ||
| Why Canada | Trio of Bloom, Nels Cline, Craig Taborn, Marcus Gilmore | D Major | 7 | 10B | 146 BPM | ||
| Over the Top and Beyond | Vilhelm Bromander | A Major | 2 | 11B | 112 BPM | ||
| Serenity | Bobo Stenson Trio | A Minor | 0 | 8A | 110 BPM | ||
| Over the Rainbow | David Lord, Charles Rumback, Dale Black | A♭ Major | 3 | 4B | 87 BPM | ||
| Love and Strife | Reinier Baas, Ben van Gelder, Marta Warelis, Han Bennink | E Major | 6 | 12B | 120 BPM | ||
| Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | B♭ Minor | 1 | 3A | 59 BPM | ||
| Obertura | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | F♯ Major | 4 | 2B | 136 BPM | ||
| Paranoia Purple | Armel Dupas Trio | D♭ Major | 3 | 3B | 94 BPM | ||
| Decisions Have Already Been Made | East Axis | D♭ Major | 4 | 3B | 82 BPM | ||
| Ghosts | Mete Erker, Floris Kappeyne, Tijs Klaassen, Wouter Kühne | A♭ Major | 1 | 4B | 77 BPM | ||
| la vie sur la terre | Joe Sanders | F♯ Major | 1 | 2B | 90 BPM | ||
| White Shadow | Im tae woong | B Minor | 3 | 10A | 183 BPM | ||
| Isblomster, Pt. II | Henriette Groth, Lotte Anker | D♭ Minor | 8 | 12A | 110 BPM |