"He Was Too Good To Me" by Chris Bennett had its release date on January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 18 in Bennett On Broadway by Chris Bennett. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, He Was Too Good To Me is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of He Was Too Good To Me by Chris Bennett is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Endless Summer Roads | Carioca Vibes | C Minor | 3 | 5A | 117 BPM | ||
| If Santa You're Listening | PremiumBeat, Cool Cat Music | C Major | 4 | 8B | 134 BPM | ||
| They Speak No Evil | Kurt Elling, WDR Big Band | F Minor | 6 | 4A | 112 BPM | ||
| February Fourteenth, No Rush | Jazz Street | F Minor | 6 | 4A | 112 BPM | ||
| When you walked in | Cordian, Sadegh | B Major | 2 | 1B | 97 BPM | ||
| Curtains Drawn at Dawn(1940s Jazz) | ZChill Jazz | G Minor | 0 | 6A | 95 BPM | ||
| Give It Away | Choll | B♭ Major | 2 | 6B | 66 BPM | ||
| You're My One and Only | Afternoon Reverie | A Minor | 4 | 8A | 93 BPM | ||
| Whispered Dreams | Jazzy Mooders | B♭ Minor | 2 | 3A | 86 BPM | ||
| The Game Called Love | Tom Graf | A♭ Major | 2 | 4B | 108 BPM | ||
| Whispers in Blue (1) | Noa Jazzelle | C Minor | 5 | 5A | 100 BPM | ||
| Confusion | Ralf Gerber | F Minor | 6 | 4A | 112 BPM | ||
| Hopefully You Hear Me | Vanessa Moraes | F Minor | 6 | 4A | 112 BPM | ||
| I Can't Stop Thinking About You | Eclipse Sinfónico | D Major | 3 | 10B | 111 BPM | ||
| Soon | Georgia Cécile, Fraser Urquhart | D♭ Major | 1 | 3B | 68 BPM | ||
| Before Dawn’s First Light | Velour JAZZ | B♭ Minor | 1 | 3A | 113 BPM | ||
| Moonlit Waters Sing in Hushed Tones | Miles Everly | C Major | 3 | 8B | 138 BPM | ||
| Get Home Safe | Jazmine Fontaine | B♭ Minor | 4 | 3A | 107 BPM | ||
| Piece of the Pie | HueZoo, Natalie Hanna Mendoza | F Major | 1 | 7B | 107 BPM | ||
| Another Day Another Dollar (Reprise) | Pamala Stanley, Chris Bennett, James Lee Stanley | E Major | 5 | 12B | 118 BPM | ||
| Velvet Coffee Cup | Ambientus | F Minor | 6 | 4A | 112 BPM | ||
| Cinefilm Refrain | Polaroid Sessions | C Minor | 4 | 5A | 74 BPM | ||
| April Pale | Clover Keys Music | A Minor | 2 | 8A | 122 BPM | ||
| Arder nuevamente | Eterna Ceniza | F Minor | 6 | 4A | 112 BPM | ||
| Shimmy Softly | Chris Bennett | A Minor | 6 | 8A | 147 BPM |