Golden Half's ' "レモンノキッス" was released on its scheduled release date, 1971. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. レモンノキッス's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ゴールデン・ハーフでーす, so we believe that "レモンノキッス" is a single. In terms of popularity, レモンノキッス is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of レモンノキッス by Golden Half is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 想い出ぼろぼろ | Yasuko Naito | G Minor | 8 | 6A | 153 BPM | ||
| 自動車シヨ丨歌 | Akira Kobayashi | G Major | 2 | 9B | 78 BPM | ||
| 結婚するって本当ですか | Da Capo | B Major | 6 | 1B | 94 BPM | ||
| 真夜中のギター | 高田みづえ | C Minor | 2 | 5A | 99 BPM | ||
| おもいで岬 | Kenji Niinuma | F Major | 5 | 7B | 81 BPM | ||
| 同棲時代 | Reiko Oshida | G Minor | 2 | 6A | 109 BPM | ||
| 手紙 | Saori Yuki | B Minor | 3 | 10A | 118 BPM | ||
| 雨がやんだら | Yukiji Asaoka | E♭ Minor | 3 | 2A | 122 BPM | ||
| ふりむけばヨコハマ | Marcia | D Minor | 4 | 7A | 94 BPM | ||
| 別れの朝 | ペドロ&カプリシャス | D Minor | 5 | 7A | 85 BPM | ||
| 京都慕情 | Yuko Nagisa | F Major | 3 | 7B | 94 BPM | ||
| 喝采 | ちあきなおみ | B♭ Minor | 4 | 3A | 110 BPM | ||
| ハイそれまでョ | Hitoshi Ueki | A Major | 5 | 11B | 77 BPM | ||
| 恋の山手線 | Akira Kobayashi | B♭ Major | 8 | 6B | 138 BPM | ||
| ガール・フレンド | オックス | A Minor | 5 | 8A | 120 BPM | ||
| いつでも夢を | Yukio Hashi, Sayuri Yoshinaga | B Major | 5 | 1B | 108 BPM | ||
| 美しい十代 | 三田明 | D♭ Major | 3 | 3B | 173 BPM | ||
| 哀愁のコニーアイランド | Momoe Yamaguchi | E Minor | 4 | 9A | 110 BPM | ||
| ヴァケーション | Mieko Hirota | B♭ Minor | 8 | 3A | 150 BPM | ||
| 涙を抱いた渡り鳥 | Kiyoko Suizenji | F Minor | 3 | 4A | 136 BPM | ||
| 乙女座 宮 | Momoe Yamaguchi | G Minor | 7 | 6A | 129 BPM | ||
| 銀座カンカン娘 | Naomi Sagara | G Major | 4 | 9B | 155 BPM | ||
| サン・トワ・マミー | Fubuki Koshiji | D♭ Major | 2 | 3B | 108 BPM | ||
| バケーション | Golden Half | C Major | 5 | 8B | 131 BPM | ||
| 帰らざる日のために | キャンディーズ | F Major | 8 | 7B | 116 BPM |