Austin Forman's ' "Horny Bitch" was released on its scheduled release date, August 10, 2020. Horny Bitch is considered explicit and may contain foul language. This song is about 3 minutes and 27 seconds, which is about the average length of a typical song. The song is number 7 out of 8 in Explicit, Vol. 1 by Austin Forman. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Horny Bitch's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Horny Bitch by Austin Forman is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Highway's Got Me Now | Joe Peters | F♯ Major | 7 | 2B | 101 BPM | ||
| Hold Your Peace | Troy Grove | F Minor | 9 | 4A | 146 BPM | ||
| WORTH ITS WEIGHT IN GOLD | James Johnston | A Major | 7 | 11B | 150 BPM | ||
| Sounds Like Money to Me | Trey Lewis | B♭ Major | 7 | 6B | 82 BPM | ||
| Longest 8 Seconds | Brody Kean | A♭ Major | 8 | 4B | 160 BPM | ||
| Somewhere In the Middle | Will Moseley, Nate Baker | A♭ Major | 5 | 4B | 150 BPM | ||
| Made for It | Sadie Bass | C Major | 9 | 8B | 160 BPM | ||
| Dick in My Nightstand | Danae Hays | G Major | 8 | 9B | 144 BPM | ||
| Sinner and Saint | Kanaan Brock | E♭ Major | 5 | 5B | 172 BPM | ||
| Bad For Me | Kasey Tyndall | F♯ Major | 8 | 2B | 116 BPM | ||
| Wherever The Wind Blows | Troy Grove | B Major | 4 | 1B | 88 BPM | ||
| Make It Out Alive | War Hippies | G Major | 4 | 9B | 136 BPM | ||
| Used To | Jesse Cofty | E♭ Major | 6 | 5B | 140 BPM | ||
| Indiana Jones | Wayland | G Major | 5 | 9B | 174 BPM | ||
| Daddy's Little Girl | Colton James | D♭ Major | 7 | 3B | 80 BPM | ||
| The Poacher | Brad Brownfield | F Minor | 7 | 4A | 128 BPM | ||
| Remember That Song | Dylan Wolfe, Jesslee | C Major | 4 | 8B | 106 BPM | ||
| Good for Nothin' | Jon Wayne Hatfield | F Major | 8 | 7B | 92 BPM | ||
| Relapse | Chase McDaniel | F♯ Minor | 9 | 11A | 82 BPM | ||
| Giving You Up | Dylan Wolfe | A Major | 5 | 11B | 94 BPM | ||
| We About to F | Dustin Spears | B Major | 5 | 1B | 92 BPM | ||
| Waiting on You | Todd Cameron | D Major | 8 | 10B | 160 BPM | ||
| All My Exes Changed Their Sexes | Buddy Brown | A Major | 5 | 11B | 130 BPM | ||
| Bro, Do You Even Fish? | Austin Brown | A Major | 8 | 11B | 88 BPM | ||
| Call | Sam Donald | A Minor | 7 | 8A | 144 BPM |