From Here On's 'Shard Of Glass' had a release date set for 2005. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in From Here On's "Hope For A Bleeding Sky" album is number 2 out of 6. In terms of popularity, Shard Of Glass is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Shard Of Glass by From Here On to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theocracy | Elysia | C Minor | 9 | 5A | 116 BPM | ||
| Masochist | Elysia | C Minor | 9 | 5A | 116 BPM | ||
| Divergence | An American Shootout | E Major | 9 | 12B | 157 BPM | ||
| Metanoia | Death of James Dean | D♭ Major | 9 | 3B | 147 BPM | ||
| The Asphyxiation Process | Nehemiah | A♭ Major | 10 | 4B | 111 BPM | ||
| Titan | The Heartland | F♯ Major | 7 | 2B | 142 BPM | ||
| And The Ghosts That Remain... | The Temptation Of Saint Anthony | F♯ Major | 9 | 2B | 91 BPM | ||
| Solar Powered Sun Destroyer | Found Dead Hanging | E♭ Minor | 7 | 2A | 153 BPM | ||
| Deceived | As Hope Dies | D♭ Major | 10 | 3B | 102 BPM | ||
| Rise, Demise, and This Hand | Dance of the Seventh Crow | A♭ Minor | 9 | 1A | 115 BPM | ||
| Shit And Fuck And Motherfucker | Spider Killed Bananaman | D♭ Major | 9 | 3B | 134 BPM | ||
| Flood of Kings | Elysia | G Major | 9 | 9B | 107 BPM | ||
| I Used To Hate Cell Phones But Now I Hate Car Accidents | Norma Jean | A♭ Major | 10 | 4B | 82 BPM | ||
| Held To The Grave | Nehemiah | G Major | 8 | 9B | 143 BPM | ||
| Paraphilia | See You Next Tuesday | B Minor | 9 | 10A | 160 BPM | ||
| The Fall of Cain's Countenance | Skycamefalling | A♭ Major | 9 | 4B | 85 BPM | ||
| The Wilting | A Thousand Falling Skies | B Minor | 10 | 10A | 102 BPM | ||
| Champagne and Sleeping Pills | Eighteen Visions | F♯ Major | 10 | 2B | 99 BPM | ||
| Memoirs of a Drowned Angel | Invocation of Nehek | C Major | 9 | 8B | 114 BPM | ||
| The Perfect Way To Cut Myself | Fordirelifesake | F♯ Major | 10 | 2B | 139 BPM | ||
| We Put The Fun In Funeral | Tower of Rome | D♭ Major | 7 | 3B | 171 BPM | ||
| On Violins | On Broken Wings | G Major | 8 | 9B | 170 BPM | ||
| Between Each Breath | Four Winds Away | A♭ Major | 9 | 4B | 93 BPM | ||
| The Diapers Cost More Than The Casket | Oktober Skyline | F♯ Major | 10 | 2B | 154 BPM | ||
| Bud Dwyer Effect | Ion Dissonance | B♭ Minor | 9 | 3A | 119 BPM |