Lily Laskine, Jean-Pierre Rampal's 'Hanayome Ningyo (Bridal Doll)' had a release date set for January 1, 2009. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lily Laskine, Jean-Pierre Rampal's "Japanese Melodies for Flute and Harp" album is number 8 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Hanayome Ningyo (Bridal Doll) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hanayome Ningyo (Bridal Doll) by Lily Laskine, Jean-Pierre Rampal to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Song of Shadows | Paolo MIllon, Neon Lilith, Barbara Norbert | D Major | 3 | 10B | 144 BPM | ||
| Floating | Sharlene Wallace | B♭ Major | 1 | 6B | 135 BPM | ||
| Fauré / Orch. Aubert: Fantaisie, Op. 79 | Emmanuel Pahud | C Major | 1 | 8B | 135 BPM | ||
| Valse romantique, L. 71 (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
| Dauprat: Air écossais varié, Op. 22 | Louis François Dauprat, Lily Laskine, Georges Barboteu | F Major | 1 | 7B | 81 BPM | ||
| Elegy for English Horn, Harp & String Orchestra | Peter Boyer, Christine Pendrill, Bryn Lewis, London Symphony Orchestra | A Minor | 1 | 8A | 98 BPM | ||
| Oboe Concerto in E Minor, TWV 51:e1: I. Andante | Georg Philipp Telemann, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | E Minor | 2 | 9A | 74 BPM | ||
| Villa-Lobos: Sexteto Místico for Guitar, Woodwinds, Harp and Celesta, W131: III. Quasi allegro | Heitor Villa-Lobos, Turibio Santos, François-Joël Thiollier, Henri-René Pollin, Lily Laskine, Lucien Debray, Maxence Larrieu | F♯ Minor | 3 | 11A | 108 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Sonata in A Major, K. 323 - Bonus Track | Domenico Scarlatti, Sarah O'Brien | D Major | 5 | 10B | 140 BPM | ||
| Petite Valse, Op. 25 | Alphonse Hasselmans, Emanuela Degli Esposti | C Minor | 1 | 5A | 64 BPM | ||
| Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
| Bochsa: Concerto in D Minor for Harp and Orchestra, Op. 15, No.1: II. Boléro | Nicolas-Charles Bochsa, Lily Laskine, Jean-Baptiste Mari, Orchestre de l'Association des Concerts Lamoureux | F Major | 1 | 7B | 109 BPM | ||
| Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | G Major | 0 | 9B | 97 BPM | ||
| La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation 5 | Johann Baptist Vanhal, Claudio Ferrarini | D Major | 1 | 10B | 75 BPM | ||
| Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale | Bernhard Henrik Crusell, Per Billman, Uppsala Chamber Orchestra, Gerard Korsten | A♭ Major | 0 | 4B | 136 BPM | ||
| Smetana / Transc. Trneček: Moldau, Op. 43 | Bedřich Smetana, Anneleen Lenaerts | E♭ Major | 1 | 5B | 80 BPM | ||
| Romantic World | Hiro Fujikake, James Galway | D♭ Minor | 1 | 12A | 128 BPM | ||
| Sakura Sakura | Lily Laskine, Jean-Pierre Rampal | A Minor | 0 | 8A | 65 BPM | ||
| Frogg Galliard | John Dowland, Andrew Lawrence-King | B Major | 0 | 1B | 105 BPM | ||
| Petite suite, L. 65: III. Menuet | Claude Debussy, Elizabeth Hainen | E Minor | 0 | 9A | 79 BPM | ||
| Matielli: Gigue, Adagio ed Allegro moderato: Adagio | Giovanni Antonio Matielli, Lily Laskine | F Minor | 1 | 4A | 85 BPM | ||
| Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 24, Soir lumineux | Charles Koechlin, Nicola Woodward | D♭ Major | 0 | 3B | 64 BPM |