Vocal Spectrum's ' "The Barber Of Seville Overture" was released on its scheduled release date, July 1, 2008. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vocal Spectrum II by Vocal Spectrum. The song's track number on the album is #6 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, The Barber Of Seville Overture's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since The Barber Of Seville Overture by Vocal Spectrum has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With The Barber Of Seville Overture being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Entreat Me Not To Leave You | Salt Lake Vocal Artists | B♭ Minor | 2 | 3A | 79 BPM | ||
| The Boy On The Island | N/A, Vocal Line | A Minor | 1 | 8A | 170 BPM | ||
| Let Everything That Hath Breath | Jefferey L. Ames, Texas Two Year College All State Choir, Adrian Washburn, Thomas Jaber, Luke Hubley, Lynne Gackle | D♭ Major | 6 | 3B | 143 BPM | ||
| Gentle Hands | One Heart | A Major | 1 | 11B | 73 BPM | ||
| Together Again | Vocal Spectrum | G Major | 3 | 9B | 84 BPM | ||
| My Soul's Been Anchored in the Lord | The Concordia Choir, René Clausen | A Major | 2 | 11B | 137 BPM | ||
| Just the Two of Us | Oxford Out Of The Blue | B Minor | 8 | 10A | 105 BPM | ||
| Spirit Divine | Assurance Acappella | B♭ Major | 1 | 6B | 83 BPM | ||
| Pure Imagination | SoCal VoCals | F Major | 2 | 7B | 141 BPM | ||
| When You're Next to Me | Vocal Spectrum | F Major | 3 | 7B | 105 BPM | ||
| For the Beauty of the Earth | Oasis Chorale | B♭ Major | 2 | 6B | 115 BPM | ||
| Sing A Song/I'd Like To Teach The World To Sing - A Cappella | Gaither Vocal Band | B♭ Major | 4 | 6B | 143 BPM | ||
| Always on My Mind | Hyannis Sound | A♭ Major | 3 | 4B | 171 BPM | ||
| I'll Live In Glory | Vocal Spectrum | B♭ Major | 5 | 6B | 133 BPM | ||
| Pokémon Theme | Tufts Beelzebubs | F♯ Major | 7 | 2B | 150 BPM | ||
| Behold | PressOn Ministries | A Major | 2 | 11B | 67 BPM | ||
| I Love Jazz Medley | Vocal Spectrum | B♭ Major | 3 | 6B | 95 BPM | ||
| A Shine on Your Shoes | The Newfangled Four | G Minor | 3 | 6A | 138 BPM | ||
| Fireflies | The Pitchforks | E♭ Major | 6 | 5B | 90 BPM | ||
| I Love Being Here With You | Ringmasters | D Major | 5 | 10B | 71 BPM | ||
| Angel Band (Arr. by Choir by Shawn Kirchner) | William Bradbury, Santa Fe Desert Chorale, Joshua Habermann | G Major | 1 | 9B | 80 BPM | ||
| Twilight over Ashridge | Ekofola | E Major | 4 | 12B | 138 BPM | ||
| The Next Ten Minutes | After Hours | D Major | 1 | 10B | 72 BPM | ||
| And So It Goes | Groove For Thought | A Minor | 0 | 8A | 110 BPM | ||
| Ride on the Magic School Bus | Tufts Beelzebubs | D♭ Minor | 8 | 12A | 113 BPM |