Stan Kenton's ' "Artistry In Boogie" was released on its scheduled release date, January 1, 1956. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Artistry In Boogie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stan Kenton's "Kenton In Hi-Fi" album is number 12 out of 17. In terms of popularity, Artistry In Boogie is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Artistry In Boogie by Stan Kenton to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Long Has This Been Going On | June Christy, Stan Kenton | A Minor | 1 | 8A | 77 BPM | ||
| Around The Corner | Barry Harris Trio | G Minor | 2 | 6A | 91 BPM | ||
| Turtle Talk | Stan Kenton | A Minor | 5 | 8A | 109 BPM | ||
| Darben The Redd Foxx | James Moody | D Minor | 4 | 7A | 139 BPM | ||
| Blues For Yna Yna | Gerald Wilson, Richard "Groove" Holmes | D Minor | 3 | 7A | 116 BPM | ||
| Artistry in Rhythm | Stan Kenton | F Minor | 3 | 4A | 154 BPM | ||
| Caxton Hall Swing | Louie Bellson | C Major | 5 | 8B | 98 BPM | ||
| Roman Notes | John La Barbera Big Band | A Major | 5 | 11B | 122 BPM | ||
| Central Park North | Thad Jones, Mel Lewis | E♭ Major | 5 | 5B | 123 BPM | ||
| Brown Suede | Barney Bigard & Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
| Piece for Two Tromboniums | J.J. Johnson, Kai Winding | G Minor | 3 | 6A | 174 BPM | ||
| Passion Dance | McCoy Tyner Big Band | B♭ Major | 6 | 6B | 128 BPM | ||
| Moonlight Becomes You - Remastered | Stan Kenton | D Minor | 2 | 7A | 82 BPM | ||
| Compliments of the Evening | Bronze Oracle | F♯ Major | 2 | 2B | 72 BPM | ||
| Once Upon A Time | Earl Hines | C Major | 4 | 8B | 202 BPM | ||
| LAURA | Woody Herman | E♭ Major | 2 | 5B | 88 BPM | ||
| You're All The World To Me | Bill Charlap Trio | F Minor | 3 | 4A | 124 BPM | ||
| Serpent's Tooth | Victor Feldman | F Minor | 4 | 4A | 118 BPM | ||
| Gravy Waltz | Marc Hemmeler | G Major | 4 | 9B | 126 BPM | ||
| Can't We Be Friends? | Illinois Jacquet | F Minor | 1 | 4A | 105 BPM | ||
| Come To The Party | June Christy, Stan Kenton | C Minor | 1 | 5A | 72 BPM | ||
| Alive and Well | Phil Woods | G Major | 9 | 9B | 119 BPM | ||
| Golden Touch | Pattiford, Burke | A♭ Major | 4 | 4B | 91 BPM | ||
| Constantly | Bill Allred, Roy Williams, Johnny Varro, Isla Eckinger, Butch Miles | G Major | 5 | 9B | 112 BPM | ||
| Work Song - Remastered | The Cannonball Adderley Quintet | D♭ Major | 3 | 3B | 170 BPM |