Regina Spektor's 'Oedipus' had a release date set for 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Regina Spektor's "Mary Ann Meets the Gravediggers and Other Short Stories by Regina Spektor" album is number 1 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Oedipus is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Oedipus by Regina Spektor to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lover I Don't Have to Love | Bright Eyes | A Minor | 7 | 8A | 80 BPM | ||
| The Libertine | Patrick Wolf | F♯ Major | 6 | 2B | 130 BPM | ||
| Let It Die | Feist | G Major | 2 | 9B | 115 BPM | ||
| Red Right Ankle | The Decemberists | G Major | 2 | 9B | 93 BPM | ||
| Ayan's Song | Haley Heynderickx | F♯ Major | 2 | 2B | 135 BPM | ||
| Lamb | Jaymay | E♭ Major | 4 | 5B | 151 BPM | ||
| It's Not | Aimee Mann | B Minor | 3 | 10A | 124 BPM | ||
| Naked, If I Want To | Cat Power | A Major | 1 | 11B | 96 BPM | ||
| With Arms Outstretched | Rilo Kiley | E Major | 5 | 12B | 106 BPM | ||
| Feast of the Heart | Jesca Hoop | B♭ Minor | 7 | 3A | 129 BPM | ||
| John Wayne Gacy, Jr. | Sufjan Stevens | C Minor | 2 | 5A | 79 BPM | ||
| Sweet Potato | Sia | D♭ Minor | 6 | 12A | 122 BPM | ||
| A Hymn for the Exiled | Anaïs Mitchell | E♭ Minor | 1 | 2A | 170 BPM | ||
| Wax & Wane | Alana Henderson | B Minor | 5 | 10A | 148 BPM | ||
| We Are Nowhere and It's Now | Bright Eyes | A Major | 6 | 11B | 145 BPM | ||
| The Takeover | Angel Olsen | A Minor | 3 | 8A | 129 BPM | ||
| Turn On Billie | The Pierces | B♭ Minor | 6 | 3A | 120 BPM | ||
| Electric Twist | A Fine Frenzy | A♭ Major | 6 | 4B | 135 BPM | ||
| Imaginary Lover | My Brightest Diamond | A Minor | 4 | 8A | 68 BPM | ||
| Red Football | Sinéad O'Connor | F Minor | 7 | 4A | 90 BPM | ||
| Flétta | Antony and the Johnsons | C Major | 2 | 8B | 123 BPM | ||
| Realization That We Are a Computer Simulation | Emily Axford | A♭ Major | 2 | 4B | 99 BPM | ||
| The Party | Regina Spektor | C Major | 3 | 8B | 102 BPM | ||
| Man of a Thousand Faces | Regina Spektor | D Minor | 3 | 7A | 126 BPM | ||
| Seed of a Seed | Haley Heynderickx | F♯ Major | 2 | 2B | 135 BPM |