"Yesterdays" by John Lewis had its release date on 1959. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in John Lewis's "Improvised Meditations & Excursions" album is number 5 out of 7. In terms of popularity, Yesterdays is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Yesterdays by John Lewis to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Autumn Leaves | McCoy Tyner | G Minor | 3 | 6A | 111 BPM | ||
| Willow Weep for Me | Ray Bryant | C Major | 2 | 8B | 171 BPM | ||
| Love Is Here To Stay | Marian McPartland | D Major | 2 | 10B | 75 BPM | ||
| I'll Never Be The Same | Lee Morgan | E♭ Major | 4 | 5B | 116 BPM | ||
| The Londonderry Air | Barry Harris | E♭ Major | 1 | 5B | 83 BPM | ||
| When Sunny Gets Blue | George Shearing Trio | E♭ Major | 1 | 5B | 63 BPM | ||
| Just In Time | Bud Shank, Bob Cooper | C Minor | 3 | 5A | 89 BPM | ||
| Blue Friday - Rudy Van Gelder Remaster | Kenny Dorham | B♭ Minor | 3 | 3A | 128 BPM | ||
| Angel Eyes | Gene Ammons | C Minor | 1 | 5A | 88 BPM | ||
| Bewitched | Art Pepper | C Minor | 1 | 5A | 66 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Altar of Zeus at Olympia | Julie Evans, John Lewis | B♭ Minor | 2 | 3A | 125 BPM | ||
| The Brookline Stop | Kenneth James Trio | E♭ Major | 0 | 5B | 102 BPM | ||
| Dear Old Stockholm | John Lewis, Sacha Distel | A♭ Major | 3 | 4B | 92 BPM | ||
| Thanks For The Memory | Serge Chaloff | F Major | 1 | 7B | 117 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 0 | 8B | 81 BPM | ||
| In The Blue Of The Evening | Tommy Flanagan Trio | F Major | 2 | 7B | 135 BPM | ||
| You Don't Know What Love Is | Harold Land | F Minor | 1 | 4A | 115 BPM | ||
| I Didn't Know What Time It Was | Kenny Drew Trio, Wilbur Ware, Philly Joe Jones | A Minor | 2 | 8A | 68 BPM | ||
| Allen's Alley | Barry Harris Trio | A♭ Major | 4 | 4B | 80 BPM | ||
| On a Slow Boat to China | Sonny Stitt Quartet, Jimmy Jones | B♭ Major | 3 | 6B | 170 BPM | ||
| Summer Nights | Benny Green | A Minor | 0 | 8A | 107 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| Villa of Nero at Olympia | Julie Evans, John Lewis | G Major | 3 | 9B | 77 BPM | ||
| If I Were A Bell | Red Garland, Paul Chambers, Art Taylor | F Major | 2 | 7B | 78 BPM |