"Sean And Lara - Minority Report Soundtrack" by John Williams had its release date on January 1, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Williams's "Minority Report (Original Motion Picture Score)" album is number 4 out of 16. In terms of popularity, Sean And Lara - Minority Report Soundtrack is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sean And Lara - Minority Report Soundtrack by John Williams to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Godfather Finale | Nino Rota, Carlo Savina | F Minor | 3 | 4A | 95 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Now You See Me | Brian Tyler | D♭ Major | 5 | 3B | 101 BPM | ||
| Prologue | John Williams | D Minor | 0 | 7A | 146 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
| Shore: The Fellowship of the Ring: Lord of the Rings - Main Theme - From "The Fellowship of the Ring: Lord of the Rings" | The City of Prague Philharmonic Orchestra, Nic Raine | C Major | 2 | 8B | 91 BPM | ||
| A Thief's End | Henry Jackman | G Minor | 5 | 6A | 125 BPM | ||
| Robin Hood Prince of Thieves | Michael Kamen, Paul Lavender, Koninklijk HarmonieOrkest Schelle | F Major | 1 | 7B | 69 BPM | ||
| This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| Back To The Future: Back To The Future - From "Back To The Future" | Alan Silvestri | A♭ Major | 4 | 4B | 99 BPM | ||
| Your Hands Are Cold - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | D Major | 0 | 10B | 143 BPM | ||
| The Batman Theme | Danny Elfman | A♭ Major | 1 | 4B | 87 BPM | ||
| Many Meetings | Howard Shore | C Major | 1 | 8B | 65 BPM | ||
| Enchanted Suite - From "Enchanted"/Score | Alan Menken | G Major | 4 | 9B | 110 BPM | ||
| You're Not One of Them | John Ottman | A Minor | 1 | 8A | 61 BPM | ||
| The Landing | Justin Hurwitz | G Minor | 3 | 6A | 80 BPM | ||
| Overture And A Prisoner Of The Crusades (From Chains To Freedom) | Michael Kamen | C Major | 3 | 8B | 145 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| Love Theme (From "Cinema Paradiso") | Ennio Morricone, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | B♭ Major | 2 | 6B | 62 BPM | ||
| Main Title | James Horner | C Major | 0 | 8B | 169 BPM | ||
| Buckbeak's Flight | John Williams | F♯ Major | 3 | 2B | 90 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM |