"The End" by Daughter had its release date on January 15, 2016. This song is quite longer than the average track at 5 minutes and 29 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 11 in the song's album "Not To Disappear". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The End's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The End by Daughter having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quiet Lies | Matthew Mayfield | D Minor | 4 | 7A | 147 BPM | ||
| Industry | Mire Kay | B♭ Major | 3 | 6B | 89 BPM | ||
| The Temple | Three Laws | C Major | 7 | 8B | 140 BPM | ||
| Save Us from Ourselves | Digital Daggers | D Major | 4 | 10B | 120 BPM | ||
| What Would You Say to the Dark | Becky Shaheen | B Minor | 3 | 10A | 76 BPM | ||
| Ophelia | Marika Hackman | E Minor | 4 | 9A | 108 BPM | ||
| Leave Like That | SYML, Jenn Champion | G Minor | 0 | 6A | 69 BPM | ||
| Hey Now | London Grammar | F Major | 3 | 7B | 120 BPM | ||
| Goldfish | Until The Ribbon Breaks | B Minor | 6 | 10A | 136 BPM | ||
| Keep It Out | Half Waif | G Major | 4 | 9B | 94 BPM | ||
| Turn Out the Lights | Julien Baker | C Major | 3 | 8B | 82 BPM | ||
| Run | Daughter | G Minor | 4 | 6A | 93 BPM | ||
| Citizen of Glass | Agnes Obel | B Major | 1 | 1B | 75 BPM | ||
| With You | Beasts With No Name | C Major | 7 | 8B | 100 BPM | ||
| Talking with Strangers | Miya Folick | G Major | 3 | 9B | 93 BPM | ||
| The Beginning of the End | Klergy, Valerie Broussard | B♭ Major | 5 | 6B | 77 BPM | ||
| Blue Blood | LAUREL | A Minor | 5 | 8A | 129 BPM | ||
| Twin Channel | Modern Merchant | B Minor | 6 | 10A | 130 BPM | ||
| Counting Paths | Matthew And The Atlas | G Major | 5 | 9B | 110 BPM | ||
| Under The Wild Skies | lùisa | D Major | 3 | 10B | 100 BPM | ||
| To Believe | The Cinematic Orchestra, Moses Sumney | E Minor | 1 | 9A | 87 BPM | ||
| Truth Is a Beautiful Thing | London Grammar | G Minor | 1 | 6A | 66 BPM | ||
| Windows | Angel Olsen | F♯ Major | 3 | 2B | 126 BPM | ||
| No More Waiting | Onyay Pheori | G Minor | 2 | 6A | 100 BPM | ||
| What's Good | Fenne Lily | A♭ Minor | 2 | 1A | 134 BPM |