"Macbeth: Act IV: Una macchia e qui tutt'ora (Lady Macbeth, a Doctor, a Lady's Maid)" by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari had its release date on September 29, 2009. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. This song is part of Verdi, G.: Macbeth (Sferisterio Opera Festival, 2007) by Giuseppe Verdi, Daniele Callegari. The song's track number on the album is #10 out of 33 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Macbeth: Act IV: Una macchia e qui tutt'ora (Lady Macbeth, a Doctor, a Lady's Maid) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Macbeth: Act IV: Una macchia e qui tutt'ora (Lady Macbeth, a Doctor, a Lady's Maid) by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Macbeth: Act IV: Una macchia e qui tutt'ora (Lady Macbeth, a Doctor, a Lady's Maid) being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madama Butterfly (1986 - Remaster), Act I: Bimba dagli occhi pieni di malìa | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 6 | 10B | 107 BPM | ||
| Bizet: Carmen, WD 31, Act 2: "Nous avons en tête une affaire" (Le Dancaïre, Frasquita, Mercédès, Le Remendado, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Cantiamo, facciam brindisi" (Belcore, Dulcamara, Giannetta, Adina, Coro) | Gaetano Donizetti, Marcello Viotti, Bruno Praticò, Francesca Provvisionato, Mariella Devia, Pietro Spagnoli, Tallis Chamber Choir, English Chamber Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
| Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Coro, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | D Major | 1 | 10B | 169 BPM | ||
| Carmen, Act III: Je dis que rien ne m'épouvante "Micaëla's Aria" | Georges Bizet, Ileana Cotrubas, London Symphony Orchestra, Claudio Abbado | F Major | 2 | 7B | 114 BPM | ||
| Tosca, Act II: Orsù, Tosca, parlate | Giacomo Puccini, Sherrill Milnes, Mirella Freni, Luciano Pavarotti, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | G Minor | 2 | 6A | 176 BPM | ||
| Madama Butterfly, SC 74, Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Ali Rahbari | A Major | 1 | 11B | 84 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
| Carmen (1997 - Remaster), Act IV: A deux cuartos! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 4 | 9B | 174 BPM | ||
| Bizet: Carmen, Act 3: "C'est des contrebandiers....Je dis, que rien ne m'épouvante" (Micaëla) | Georges Bizet, Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 1 | 5B | 86 BPM | ||
| Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
| Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| Pagliacci / Act 2: "Arlecchin! Colombina!" - "Prendi questo narcotico" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 124 BPM | ||
| Simon Boccanegra, Prologue: Suona ogni labbro il mio nome | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 2 | 10B | 85 BPM | ||
| La traviata / Act 1: "Ebben? che diavol fate?" | Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 2 | 4B | 168 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Bellini: I puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
| Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
| Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
| Ponchielli: La Gioconda, Op. 9, Act 1: "Feste e pane!" (Coro, Barnaba) | Amilcare Ponchielli, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 132 BPM | ||
| Nabucco / Act 1: Io t'amava! | Giuseppe Verdi, Ghena Dimitrova, Plácido Domingo, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 87 BPM | ||
| Nabucco / Act IV: Cadran, cadranno i perfidi ...O prodi miei, seguitemi | Giuseppe Verdi, Volker Horn, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 5 | 5B | 138 BPM | ||
| Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM | ||
| La bohème, Act III: Dunque è propio finita! | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 90 BPM |