Dean Evenson's 'Patterns of Becoming' had a release date set for June 12, 2007. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wood over Water by Dean Evenson, Burke Mulvany. The song's track number on the album is #7 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Patterns of Becoming's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Patterns of Becoming by Dean Evenson has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Patterns of Becoming being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magic/Mystery | Peter Phippen | B Minor | 1 | 10A | 71 BPM | ||
| The Silent Path Section 5 | Robert Haig Coxon | A Minor | 1 | 8A | 65 BPM | ||
| Cho Ku Rei (The Power Symbol) | Aroshanti | A♭ Minor | 1 | 1A | 80 BPM | ||
| Pilgrim | Cinematic Atmosphere, Sublime Ambience, Spiritual Path | F Minor | 1 | 4A | 84 BPM | ||
| Mandala | Hubbub | F Major | 1 | 7B | 79 BPM | ||
| All Is Sacred | Anaamaly, Rafaëlle Cohen | A♭ Major | 2 | 4B | 69 BPM | ||
| Silent Bowls and Bells | Jane Winther | C Major | 0 | 8B | 70 BPM | ||
| Root or Base Chakra (Muladhara) | Llewellyn | C Major | 2 | 8B | 77 BPM | ||
| Under an Equatorial Night Sky | Zen Hanami | B Minor | 0 | 10A | 70 BPM | ||
| Time Beyond the Mist | Neil H | E Minor | 1 | 9A | 72 BPM | ||
| Stillness | Sacred Earth | G Major | 1 | 9B | 64 BPM | ||
| Land of Serenity | Michael Hoppé, Martin Tillman, Tim Wheater | B Minor | 1 | 10A | 85 BPM | ||
| Remaining still | Nirodha | D Major | 2 | 10B | 130 BPM | ||
| Relajación Total del Cuerpo | Musica Para Dormir Bien | F Minor | 0 | 4A | 76 BPM | ||
| Chakra Balancing - Merging All | Dean Evenson, Scott Huckabay | E Minor | 1 | 9A | 66 BPM | ||
| Call Of The Search | Anugama | E Major | 1 | 12B | 76 BPM | ||
| Vishram | Vic Vision | D Minor | 1 | 7A | 78 BPM | ||
| Quiet Mind | Sayama | D Major | 2 | 10B | 173 BPM | ||
| Vision of the Eagle | Kamal Engels | B Minor | 2 | 10A | 76 BPM | ||
| Attunement | Aroshanti | B Major | 1 | 1B | 115 BPM | ||
| Purest Heart | Neil H | C Major | 0 | 8B | 97 BPM | ||
| Bar-do’i Kar-tsé (Snow of the Between Worlds) | Sound Passport | A♭ Major | 2 | 4B | 122 BPM | ||
| Crown of Creation (Crown Chakra) | Jonathan Goldman, Gwen Tuesday | B Major | 1 | 1B | 85 BPM | ||
| The First Night | Gary Malkin | E Minor | 1 | 9A | 79 BPM | ||
| Spirit of the Mountain | Steve Gordon, Deborah Martin | D Major | 2 | 10B | 112 BPM |