Naresh Kumar Yadav, Bijli Rani's ' "Bhebe De Tu Maja" was released on its scheduled release date, November 24, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Naresh Kumar Yadav, Bijli Rani's "Mela Mein Saali Bhulail Daroga Ji" album is number 8 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Bhebe De Tu Maja is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bhebe De Tu Maja by Naresh Kumar Yadav, Bijli Rani to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kuch Main Kahoon | Mohammed Aziz | A♭ Major | 8 | 4B | 163 BPM | ||
| Mere Lagya Opra Rog Marghat Aali | Mukesh Sharma | E♭ Major | 10 | 5B | 134 BPM | ||
| Jay Jay Anjani Ke Lala | Hiresh Sinha, Jiteshwari Sinha | F Minor | 7 | 4A | 92 BPM | ||
| Usne Dhokha Diya Nahin | Mohammed Aziz | C Major | 9 | 8B | 84 BPM | ||
| Sone Da Darbar | Saleem | G Minor | 7 | 6A | 120 BPM | ||
| Sharda Bhawani Maiya | MANOJ TIWARI | B♭ Minor | 7 | 3A | 160 BPM | ||
| Damroo Wale Baba | Sukha Ram Saroa | C Minor | 9 | 5A | 177 BPM | ||
| Shree Mad Bhagwat Katha | Surjan Chaitanye | G Major | 10 | 9B | 117 BPM | ||
| Kismat Ka Maara Hoon | Mukesh Bagda | C Minor | 9 | 5A | 142 BPM | ||
| Do Do Nanana O Dhola | Karnail Rana | F Minor | 7 | 4A | 89 BPM | ||
| Tohar Tab Yaad Aave | Madan Rai | D♭ Minor | 4 | 12A | 92 BPM | ||
| Amwa Ke Mujra Se Ras Chuwela | Jyoti Mahi | E♭ Minor | 9 | 2A | 111 BPM | ||
| Jai Ho Haridwar Mein Bum Bum | Ram Kumar Lakkha | B Major | 8 | 1B | 100 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Mane Durga Rup Dikha Mari Maa Bhajan | Moinudin Manchala | F♯ Minor | 8 | 11A | 101 BPM | ||
| Kripa Kar De Maa Kripa Kar De Maa | Narendra Chanchal | D♭ Major | 7 | 3B | 85 BPM | ||
| Baanke Bihari Tere Nayna Kajraare | Bhaiya Krishan Das Ji | A♭ Major | 8 | 4B | 82 BPM | ||
| Mil Kaho Garv Se Hindu | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Rang De Chunariya | Anup Jalota, Chandra Kamal | E♭ Minor | 7 | 2A | 170 BPM | ||
| Hiya Basu | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Leta Nahi Tu Hari Ka Naam | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Mane Sawara Roop Dikha De | Moinuddin Manchala, Prakash Mali | E Major | 10 | 12B | 111 BPM | ||
| Banke Bihari Lal Teri Jai Hove | Acharya Mridul Krishna Goswami | F♯ Minor | 7 | 11A | 76 BPM | ||
| Jaanila Maram Hum Khoobhee Tohaar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Moye Le Gaye Patari Me | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM |