Open Eye Signal - Luke Abbott remix
Jon Hopkins, Luke Abbott
Open Eye Signal (Remixes)
6:53 June 3, 2013
BPM
122
Key
B♭ Minor
Camelot
3A

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Open Eye Signal - Luke Abbott remix by Jon Hopkins, Luke Abbott Song Details

Jon Hopkins, Luke Abbott's 'Open Eye Signal - Luke Abbott remix' had a release date set for June 3, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Open Eye Signal (Remixes)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Open Eye Signal - Luke Abbott remix's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Open Eye Signal - Luke Abbott remix by Jon Hopkins, Luke Abbott having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-10.39 dB
Acousticness
56%
Danceability
75%
Energy
54%
Instrumentalness
95%
Liveness
11%
Loudness
83%
Speechiness
5%
Valence
37%

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ISRC
GBCEL1300110
Label
L-M Records/RCA Records