Maurice Duruflé, Calefax Reed Quintet's 'Prelude et Fugue sur le nom d'Alain (Arr. for Reed Quintet by Jelte Althuis): I. Prelude' had a release date set for November 21, 2025. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Organisms". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Prelude et Fugue sur le nom d'Alain (Arr. for Reed Quintet by Jelte Althuis): I. Prelude is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prelude et Fugue sur le nom d'Alain (Arr. for Reed Quintet by Jelte Althuis): I. Prelude by Maurice Duruflé, Calefax Reed Quintet having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) | Robert Schumann, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | C Major | 5 | 8B | 135 BPM | ||
| Liturgical Chants: Ave Maria | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 127 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | F Minor | 1 | 4A | 134 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Praeter rerum seriem: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Requiem, Op. 9 (1961 version): Libera me | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F♯ Minor | 1 | 11A | 69 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
| Charles Villiers Stanford: The blue bird | Lumen Valo | F♯ Major | 0 | 2B | 171 BPM | ||
| Regem, cui omnia vivunt – Venite, exsultemus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| 3 Sacred Hymns: 1. Hail Mary, Full of Grace | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 66 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | F Minor | 1 | 4A | 134 BPM | ||
| Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 74 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Ubi caritas | Escolania de Montserrat, Joaquim Piqué i Calvo, Eduard Vila i Perarnau, Maurice Duruflé | E♭ Major | 2 | 5B | 122 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM | ||
| 4 Shakespeare Songs: No. 1, Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | G Major | 1 | 9B | 128 BPM |