Jason Hill's ' "Refractions in the Sand" was released on its scheduled release date, January 28, 2020. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Refractions in the Sand's duration is considered a little bit shorter than the average duration of a typical track. Since Refractions in the Sand only contains only one song in the album, we like to consider this song as a single. Refractions in the Sand is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Refractions in the Sand by Jason Hill having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fragments | Pick a Piper | B Minor | 8 | 10A | 110 BPM | ||
| Manipulated Living | Michael Andrews | F Minor | 3 | 4A | 119 BPM | ||
| Dépassée par le fantasme | Essaie Pas | D Major | 9 | 10B | 96 BPM | ||
| Saga De Sangre | Giorgio Moroder, Raney Shockne | C Minor | 6 | 5A | 115 BPM | ||
| Hacking / Cutting | Ben Salisbury, Geoff Barrow | D♭ Minor | 1 | 12A | 135 BPM | ||
| Deceive | trentemøller, Sune Rose Wagner | A Minor | 7 | 8A | 120 BPM | ||
| We Got Ourselves A Serial Killer | Brooke Blair, Will Blair | B♭ Minor | 6 | 3A | 172 BPM | ||
| Too Risky A Day For A Regatta | Stelvio Cipriani | B♭ Minor | 6 | 3A | 97 BPM | ||
| Yatton | Beak> | C Major | 4 | 8B | 146 BPM | ||
| Gassed | Bobby Krlic | A Major | 4 | 11B | 81 BPM | ||
| Turing | Uwe Bossenz, Ingolfsson | G Minor | 8 | 6A | 80 BPM | ||
| Wake Up! | Cristobal Tapia De Veer | A Major | 2 | 11B | 58 BPM | ||
| Coming Home | Jason Hill | C Major | 1 | 8B | 80 BPM | ||
| Kleo’s Revenge | Johnny Klimek, Guacimara De Elizaga | G Major | 6 | 9B | 170 BPM | ||
| Wendy Suite | Jason Hill | D♭ Minor | 1 | 12A | 68 BPM | ||
| Axolotl | The Veils | F♯ Major | 7 | 2B | 96 BPM | ||
| Little Things | Thomas Newman | F Minor | 6 | 4A | 130 BPM | ||
| Soldier Field | Rob Simonsen | B♭ Major | 4 | 6B | 120 BPM | ||
| Handshake | Cliff Martinez | G Minor | 6 | 6A | 106 BPM | ||
| Imaginary Lines | Fatima Yamaha | E Minor | 4 | 9A | 100 BPM | ||
| Back To Roslyn | Daniel Lopatin | D Major | 1 | 10B | 142 BPM | ||
| Anvil | Lorn | F♯ Minor | 5 | 11A | 100 BPM | ||
| Storm Column | Gatekeeper | B Minor | 9 | 10A | 160 BPM | ||
| Philip Paige Walk Home | Nathan Barr | B Major | 4 | 1B | 117 BPM | ||
| Between the Buttons | French 79 | F Minor | 4 | 4A | 95 BPM |