Ramesh Chandra, Vishnu, B. R. Chaya, K.S. Surekha's ' "Dhareyali Mereyutythe" was released on its scheduled release date, January 11, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Padayatre Madutha Banni Guddapurake". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Dhareyali Mereyutythe is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dhareyali Mereyutythe by Ramesh Chandra, Vishnu, B. R. Chaya, K.S. Surekha having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honnadumbiyagi Hari | Rajkumar, Ramesh Chandra, K.S. Surekha, Sri Raksha Aravind | D♭ Major | 6 | 3B | 103 BPM | ||
| Ittimudduladi | G Balakrishna Prasad | D Minor | 5 | 7A | 142 BPM | ||
| Nrusimha Gayathri | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | E♭ Major | 3 | 5B | 84 BPM | ||
| Endhu Endhu | Rajesh | D Minor | 2 | 7A | 174 BPM | ||
| Sri Rama Dhutam | Nihal | D Major | 7 | 10B | 100 BPM | ||
| Thangamani Pilliyaaru | Srihari, Ajay, Karpagadaasan | A Minor | 8 | 8A | 136 BPM | ||
| Kaapadu Sree Sathyanarayana - From "Dari Thappida Maga" | P. B. Sreenivas, A.P. Shyamala | A♭ Major | 6 | 4B | 107 BPM | ||
| Yelu Yeddelu Yellavva Belgayitu | Ramesh Chandra | F♯ Minor | 7 | 11A | 97 BPM | ||
| Thoogire Rangana Thoogire Krishnana | Ratnamala Prakash | D Major | 3 | 10B | 111 BPM | ||
| Sharanu Sharanayya Sharanu Benaka | P. B. Sreenivas | C Major | 3 | 8B | 147 BPM | ||
| Shambho Hara Hara | Ramesh Chandra | A Minor | 5 | 8A | 95 BPM | ||
| Thanana Thanana (From "Varsha") | Hariharan, Shreya Ghoshal, S. Narayan | D Minor | 8 | 7A | 110 BPM | ||
| Chinnari Chinnari | Ramesh Chandra, K Kalyan | G Major | 7 | 9B | 104 BPM | ||
| Ekadantha | Sunanda | F♯ Major | 6 | 2B | 87 BPM | ||
| Manjunatheshwara | Rajkumar | E♭ Minor | 6 | 2A | 140 BPM | ||
| Dheera Maruthi | Kaundinya Achutuni | F Minor | 9 | 4A | 130 BPM | ||
| Hendathiyobbalu | Mysore Ananthaswamy | F Minor | 7 | 4A | 198 BPM | ||
| Om Namassivaya | V. Ramakrishna | G Major | 6 | 9B | 94 BPM | ||
| Neevu Leni Lokamedani | Suresh | F♯ Major | 7 | 2B | 90 BPM | ||
| Raghavendra Raghavendra | Puttur Narasimha Nayak, Kusuma | D♭ Minor | 7 | 12A | 174 BPM | ||
| Mooru Kannina | Yuvaraj, Vijay Ygnanarayana | F♯ Major | 8 | 2B | 110 BPM | ||
| Palli Padapudu Maimedu | Ramesh Chandra | A Major | 6 | 11B | 96 BPM | ||
| Shivashankaranu Nelesihanilli | Ramesh Chandra | C Major | 6 | 8B | 104 BPM | ||
| Aarati Belaguve | Narasihma Nayak, Ramesh Chandra, Gangotri Rangaswami | E Minor | 9 | 9A | 120 BPM | ||
| Nagendra Haaraya | Aravind Sriram, Somayajula Murty, Maharajapuram Ramu | D Major | 4 | 10B | 120 BPM |