"Taking a Stand" by Steve Jablonsky, Jacob Shea had its release date on 2013. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Steve Jablonsky, Jacob Shea's "Gears of War: Judgment (Original Soundtrack)" album is number 28 out of 30. Taking a Stand is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Taking a Stand by Steve Jablonsky, Jacob Shea to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| Departure | Twelve Titans Music | E♭ Minor | 6 | 2A | 180 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| Optimus | Steve Jablonsky | G Minor | 4 | 6A | 150 BPM | ||
| The Day Will Come | Bear McCreary | D Minor | 1 | 7A | 108 BPM | ||
| Scorponok | Steve Jablonsky | F♯ Minor | 6 | 11A | 80 BPM | ||
| Barbossa Is Hungry | Klaus Badelt | E Minor | 5 | 9A | 134 BPM | ||
| This Is For The Pearl | Thomas Wander, Harald Kloser | A Minor | 4 | 8A | 136 BPM | ||
| Suite from X2 | John Ottman | B♭ Major | 2 | 6B | 82 BPM | ||
| Fog Bound | Klaus Badelt | E Minor | 1 | 9A | 86 BPM | ||
| Cosmology | Stephen Barton | D♭ Minor | 2 | 12A | 102 BPM | ||
| The Ice Road | Max Aruj | D Minor | 4 | 7A | 90 BPM | ||
| Into the Furnace | Sarah Schachner | D Minor | 5 | 7A | 100 BPM | ||
| Live to See Tomorrow | David Chappell | C Minor | 5 | 5A | 123 BPM | ||
| The Blue Whale | Steven Price | F♯ Minor | 3 | 11A | 112 BPM | ||
| Your Voice | Steve Jablonsky | D Minor | 2 | 7A | 54 BPM | ||
| The Home Of A People | Zack Hemsey | C Major | 6 | 8B | 103 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Resuscitation | Andrew Lockington | F Major | 2 | 7B | 61 BPM | ||
| Call Of Duty: MW3 | Brian Tyler | B♭ Major | 4 | 6B | 98 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| First Class | Henry Jackman | B♭ Major | 5 | 6B | 113 BPM | ||
| Welcome Back - End Titles | John Ottman, Jeffrey Schindler, American Federation of Musicians | C Major | 2 | 8B | 83 BPM | ||
| Hiraeth | Jo Blankenburg | A♭ Major | 5 | 4B | 123 BPM | ||
| The Guardian Suite - Score | Trevor Rabin | G Major | 3 | 9B | 80 BPM |