"Traffic Continues II: Gusto (For Tom Cora): Adage D / Neither Fire Nor Place" by Fred Frith, Ensemble Modern had its release date on January 28, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 21 in the song's album "Traffic Continues". In this album, this song's track order is #17. Traffic Continues II: Gusto (For Tom Cora): Adage D / Neither Fire Nor Place is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traffic Continues II: Gusto (For Tom Cora): Adage D / Neither Fire Nor Place by Fred Frith, Ensemble Modern having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saving Grace | Fred Frith | G Major | 9 | 9B | 114 BPM | ||
| low clouds hang, this land is on fire | Tashi Dorji | B♭ Minor | 0 | 3A | 136 BPM | ||
| Vitality | Astral | G Minor | 0 | 6A | 137 BPM | ||
| Soshin | Derek Bailey, Antoine Berthiaume, Fred Frith | F♯ Minor | 3 | 11A | 114 BPM | ||
| Des Menschen Engel Ist Die Zeit | Claus Boesser-Ferrari, Fred Frith, Marc Ribot | C Minor | 1 | 5A | 95 BPM | ||
| What Purpose | Flock, Bex Burch, Sarathy Korwar, Danalogue, Al MacSween, Tamar Osborn | F♯ Major | 5 | 2B | 122 BPM | ||
| Extended Circular Music No. 5 | Jürg Frey, Fabio Oehrli, Jonas Tschanz, Stefan Rolli | E♭ Major | 0 | 5B | 137 BPM | ||
| Break The Cycle Of Sorrow | Rothko | A♭ Major | 1 | 4B | 73 BPM | ||
| Both Blue Moons | Aaron Dilloway, Lucrecia Dalt | D♭ Major | 6 | 3B | 94 BPM | ||
| Sanctuary | Bill Orcutt | B♭ Major | 3 | 6B | 79 BPM | ||
| Beachside Lonelyhearts | Patrick Shiroishi | E♭ Major | 2 | 5B | 75 BPM | ||
| Control 3 | Conrad Schnitzler | B♭ Minor | 0 | 3A | 136 BPM | ||
| The End Of Days | Ongoing Slaughter | D Major | 0 | 10B | 82 BPM | ||
| Jeu de Plomb | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | E♭ Major | 2 | 5B | 127 BPM | ||
| Meditation | Jun Miyake | B♭ Minor | 0 | 3A | 136 BPM | ||
| Lightyears | Johanna Borchert, Fred Frith, Shazad Ismaily, Julian Sartorius | D♭ Major | 4 | 3B | 125 BPM | ||
| Summon the Ghost Horses | Laura Cannell | B♭ Minor | 0 | 3A | 136 BPM | ||
| Miniature No. 12 | Jette Mogensen | D♭ Minor | 1 | 12A | 70 BPM | ||
| Brave in a New World | Shaan Rhythm | G Minor | 5 | 6A | 111 BPM | ||
| Requiem in Dust | Bill Orcutt | F Major | 5 | 7B | 81 BPM | ||
| Between B and C | Syzygys | E♭ Major | 1 | 5B | 75 BPM | ||
| THE 9TH CENTURY B.C XXVII | PROVISIONEDBEATS | B♭ Minor | 0 | 3A | 136 BPM | ||
| The As Usual Dance Towards the Other Flight | Jean-Louis Marchand, Christophe Rieger, Fred Frith | C Major | 4 | 8B | 120 BPM | ||
| Improvised Music #6 | Bill Laswell, Sonny Sharrock, Derek Bailey, Fred Frith, John Zorn | C Major | 5 | 8B | 109 BPM | ||
| Our Own Love Language | Mike Reed, Ben LaMar Gay, Bitchin Bajas, Marvin Tate | G Major | 7 | 9B | 93 BPM |