"Mere Shyam Tera Naam" by Mohammed Rafi had its release date on January 1, 1981. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mohammed Rafi's "Hari Ka Dhyan Laga Man Mere" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Mere Shyam Tera Naam's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mere Shyam Tera Naam by Mohammed Rafi to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khoya Khoya Chand Khula Aasman (From "Kala Bazar") | Mohammed Rafi | A Major | 5 | 11B | 81 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| My Heart Is Beating | Preeti Sagar | E Minor | 4 | 9A | 96 BPM | ||
| Sajna O Sajna-Le To | Hemlata | A♭ Minor | 6 | 1A | 87 BPM | ||
| Aajkal Tere Mere Pyar Ke Charche | Suman Kalyanpur, Mohammed Rafi | A Major | 8 | 11B | 99 BPM | ||
| Kasme Wade Pyar Wafa | Manna Dey, Kalyanji-Anandji | C Major | 3 | 8B | 92 BPM | ||
| Rang Barse Bheege Chunarwali | Amitabh Bachchan | D Major | 5 | 10B | 120 BPM | ||
| Khud Se Jo Vada Kiya Tha | Pamela Chopra | C Major | 3 | 8B | 175 BPM | ||
| Main Pal Do Pal Ka Shair Hoon | Mukesh | E Major | 3 | 12B | 124 BPM | ||
| Aana Jana (Part I) - From "Geraftaar" | Bappi Lahiri, Shabbir Kumar | F♯ Minor | 5 | 11A | 89 BPM | ||
| Jeevan Ke Din, Pt. 1 | Udit Narayan, Baby Preeti, Majrooh Sultanpuri | B♭ Minor | 5 | 3A | 149 BPM | ||
| Tarari Tarari | Suraiya, Mohammed Rafi | A♭ Major | 2 | 4B | 177 BPM | ||
| Mujhko Apne Gale Laga Lo | Mubarak Begum, Mohammed Rafi | D Minor | 2 | 7A | 71 BPM | ||
| Beqarar Hai Koi | Suraiya, Mohammed Rafi | E♭ Minor | 3 | 2A | 161 BPM | ||
| Zindagi Pyar Ki Do Char Ghadi | Hemant Kumar | E Major | 2 | 12B | 112 BPM | ||
| Parbaton Ke Pedon Par Sham Ka Basera | Suman Kalyanpur, Mohammed Rafi | A♭ Minor | 4 | 1A | 165 BPM | ||
| Chandni O Meri Chandni | Sridevi Kapoor, Jolly Mukherjee | D Minor | 8 | 7A | 91 BPM | ||
| Laila O Laila - From "Qurbani" | Kanchan, Amit Kumar | G Minor | 5 | 6A | 133 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Hai Apna Dil To Aawara - Sad | Hemant Kumar, S. D. Burman | G Major | 3 | 9B | 107 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Mera Naam Salma | Salma Agha | G Minor | 8 | 6A | 100 BPM | ||
| Sun Rubia Tumse Pyar Ho Gaya | S. Janaki, Shabbir Kumar, Anu Malik, Amitabh Bachchan | B♭ Minor | 6 | 3A | 142 BPM | ||
| Saathiya Tune Kya Kiya | S. P. Balasubrahmanyam, K. S. Chithra | B Major | 7 | 1B | 93 BPM | ||
| Tum Ko Dekha To Yeh Khayal Aaya | Jagjit Singh, Chitra Singh | D Major | 3 | 10B | 91 BPM |