"Mapping Wales: Poco Allegro" by John Metcalf, Catrin Finch, Raicho Christov, Bulgarian Chamber Orchestra had its release date on May 1, 2005. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Metcalf, Catrin Finch, Raphael Wallfisch, Raicho Christov, Helena Braithwaite, William Boughton, Bulgarian Chamber Orchestra, English Symphony Orchestra's "Metcalf: Mapping Wales, Plain Chants & Cello Symphony" album is number 2 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mapping Wales: Poco Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mapping Wales: Poco Allegro by John Metcalf, Catrin Finch, Raicho Christov, Bulgarian Chamber Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Quintet "Fantasia": II | Carl Vine, Goldner String Quartet, Piers Lane | E Minor | 1 | 9A | 64 BPM | ||
| Mapping Wales: Adagio | John Metcalf, Catrin Finch, Raicho Christov, Bulgarian Chamber Orchestra | E♭ Major | 1 | 5B | 118 BPM | ||
| 2つの小品 Religioso | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| Danish Folk-Music Suite: III. The Nightingale and the Two Sisters | Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra | E Major | 1 | 12B | 91 BPM | ||
| Mapping Wales: Vivace | John Metcalf, Catrin Finch, Raicho Christov, Bulgarian Chamber Orchestra | E♭ Major | 1 | 5B | 118 BPM | ||
| Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Gli Uccelli: II. La Columba | Orchestra of the Swan, Victoria Brawn | F♯ Minor | 1 | 11A | 90 BPM | ||
| Mapping Wales: Tranquillo | John Metcalf, Catrin Finch, Raicho Christov, Bulgarian Chamber Orchestra | E♭ Major | 0 | 5B | 59 BPM | ||
| Suite en miniature, Op. 1: IV. Menuetto | Vitezslava Kaprálová, Appassionato, Mathieu Herzog | G Major | 2 | 9B | 168 BPM | ||
| Serenade, Op. 2: II. Romance. Andante con moto | Mieczysław Karłowicz, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 1 | 4B | 86 BPM | ||
| Love Me Sweet | Marshall McGuire, Carl Vine, Elizabeth Barrett Browning, Jane Edwards | G Minor | 0 | 6A | 170 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Concertino pour flûte in D Major, Op. 107 (Arr. for Flute & Woodwind Ensemble by Shea Lolin) | Cécile Chaminade, Fiona Sweeney, Czech Philharmonic Wind Ensemble, Shea Lolin | E Minor | 1 | 9A | 64 BPM | ||
| 4 Postludes for Piano & String Orchestra: No. 4, Larghetto, con moto poco rubato | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | B♭ Major | 0 | 6B | 90 BPM | ||
| Serenade Lyrique | Edward Elgar, English Symphony Orchestra, William Boughton | E♭ Minor | 1 | 2A | 75 BPM | ||
| Serenade for String Orchestra, Op. 20: II. Larghetto | Edward Elgar, Hamburg Symphony Orchestra, Alois Springer | E Minor | 1 | 9A | 64 BPM | ||
| Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 81 BPM | ||
| Claire de Lune No. 3 from Suite Bergamasque | Claude Debussy, Xavi de la Fuente, Xavier Pardo Sabartés | E Minor | 1 | 9A | 64 BPM | ||
| Out of the Depths I Cry to Thee (Aus tiefer Not schrei ich zu dir) | Yoshie Ueno | F Major | 1 | 7B | 143 BPM | ||
| 白鳥~組曲《動物の謝肉祭》) | 向山佳絵子 | G Major | 1 | 9B | 172 BPM | ||
| Septet - Calmo | John Metcalf, Eleanor Turner, David Campbell, Philippa Davies, Solstice Quartet | E♭ Major | 0 | 5B | 69 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM |