"Dulcissima Maria, a 4" by Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings had its release date on March 30, 2016. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivanco: Sancti et Justi (Motecta, 1610) by Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings. The song's track number on the album is #4 out of 19 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, Dulcissima Maria, a 4's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dulcissima Maria, a 4 by Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Dulcissima Maria, a 4 being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caritas habundat in omnia | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Marília Vargas | D♭ Major | 0 | 3B | 57 BPM | ||
| Messe de minuit pour Noël, H. 9: III. Credo: No. 2, Patrem omnipotentem | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise | C Minor | 3 | 5A | 87 BPM | ||
| Missa Beata Maria Virgine in sabatho, a 4vv: Sanctus | Sebastián de Vivanco, Ensemble Plus Ultra, David Martin | A Minor | 1 | 8A | 83 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
| Sábado Santo: De Lamentatione Jeremiae Prophetae (Lect. I: Misericordiae Domini). 4 v. m. - Remastered | Sebastián de Vivanco, Coros De Radio Nacional De España, Alberto Blancafort | F Major | 1 | 7B | 128 BPM | ||
| Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 87 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Messe vidi turbam magnam: No. 5, credo | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 142 BPM | ||
| Facultad organica: No. 13, Tiento de primero tono, FO 13 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| Missa Sanctae Crucis, MH 56: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 1 | 5B | 139 BPM | ||
| Psalm 112 | Peter Stevens, Simon Johnson, Westminster Cathedral Choir | A Minor | 2 | 8A | 79 BPM | ||
| Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM | ||
| Stella, Quam Viderant Magi | Piffaro | A♭ Major | 0 | 4B | 68 BPM | ||
| Svetilen of Easter | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 97 BPM | ||
| Missa Beata Maria Virgine in sabatho, a 4vv: Agnus Dei | Sebastián de Vivanco, Ensemble Plus Ultra, David Martin | E♭ Major | 0 | 5B | 81 BPM | ||
| Missa Myn hert: Kyrie | Mathieu Gascongne, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 68 BPM | ||
| Spiritual Gregorian Chants Chant Templar Chant Peaceful Monks | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Jam conclamamus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | B♭ Major | 3 | 6B | 97 BPM | ||
| Concerto: Nigra sum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | G Major | 1 | 9B | 132 BPM | ||
| Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
| Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
| Miserere mei Deus, C. 116: IV. Asperges me hyssopo | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Major | 2 | 7B | 73 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM |