Rie Nakahara's ' "枕詞 (ピロー・トーク)" was released on its scheduled release date, 1978. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rie Nakahara's "GOLDEN☆BEST / 中原理恵 Singles" album is number 4 out of 18. On top of that, Japan appears to be the country where this track was created. In terms of popularity, 枕詞 (ピロー・トーク) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 枕詞 (ピロー・トーク) by Rie Nakahara to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ブルー・シャトウ | ジャッキー吉川とブルー・コメッツ | B Minor | 6 | 10A | 127 BPM | ||
| くるみ割り人形 | Hitomi Ishikawa | A Major | 6 | 11B | 140 BPM | ||
| スプリング・サンバ | Kumiko Ohba | D Minor | 7 | 7A | 117 BPM | ||
| もしもピアノが弾けたなら | Toshiyuki Nishida | D Major | 3 | 10B | 120 BPM | ||
| 冬の色 | Momoe Yamaguchi | G Minor | 5 | 6A | 120 BPM | ||
| 思えば遠くへ来たもんだ | Kaientai | B♭ Major | 7 | 6B | 88 BPM | ||
| 愛の奇跡 | Hide & Rosanna | D Minor | 3 | 7A | 123 BPM | ||
| Dounimo Tomaranai | Linda Yamamoto | D♭ Major | 3 | 3B | 173 BPM | ||
| サンタモニカの風 | Junko Sakurada | A♭ Major | 7 | 4B | 141 BPM | ||
| 夕暮れ気分 | Chiemi Hori | G Minor | 7 | 6A | 109 BPM | ||
| 時をかける少女 | Tomoyo Harada | D Major | 5 | 10B | 124 BPM | ||
| アルプスの少女 | Megumi Asaoka | G Major | 5 | 9B | 144 BPM | ||
| 恋人もいないのに | シモンズ | D Major | 6 | 10B | 100 BPM | ||
| 夜霧のハウスマヌカン | Yaya | D Minor | 3 | 7A | 80 BPM | ||
| 煙草のけむり | Mayumi Itsuwa | A Major | 8 | 11B | 87 BPM | ||
| グッド・ラック | Goro Noguchi | C Major | 8 | 8B | 113 BPM | ||
| 19:00の街 | Goro Noguchi | B Minor | 8 | 10A | 174 BPM | ||
| 迷い道 | Machiko Watanabe | C Minor | 6 | 5A | 113 BPM | ||
| チャンピオン | ALICE | B Minor | 8 | 10A | 159 BPM | ||
| イルカにのった少年 | Michiru Jo | A♭ Minor | 7 | 1A | 162 BPM | ||
| 愛のメモリー | Shigeru Matsuzaki | B Minor | 5 | 10A | 167 BPM | ||
| 十七の夏 | Junko Sakurada | G Major | 6 | 9B | 132 BPM | ||
| 夏にご用心 | Junko Sakurada | F♯ Major | 7 | 2B | 157 BPM | ||
| ジョニーの子守唄 - Remastered 2024 | ALICE | E Minor | 8 | 9A | 135 BPM | ||
| わかって下さい | 因幡晃 | E♭ Minor | 2 | 2A | 132 BPM |