"Symphonie-Passion, Op. 23: IV. Résurrection sur "Adoro te devote"" by Marcel Dupré, John Walker had its release date on 1985. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Riverside Church, New York City". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Symphonie-Passion, Op. 23: IV. Résurrection sur "Adoro te devote" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonie-Passion, Op. 23: IV. Résurrection sur "Adoro te devote" by Marcel Dupré, John Walker having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clavier-Übung III: Kyrie, Gott heiliger Geist, BWV 671 | Johann Sebastian Bach, James McVinnie | D♭ Minor | 2 | 12A | 164 BPM | ||
| Barboniade | Michelle Legauffe | C Major | 2 | 8B | 56 BPM | ||
| Missa Christi, Festival Mass: III. Sanctus and Benedictus | Kenneth Leighton, The Choir of The Queen's College Oxford, Owen Rees, Ben Gilchrist, Rudyard Cook | E Minor | 1 | 9A | 79 BPM | ||
| Mottetorum I: Beata es, virgo Maria | Giovanni Pierluigi da Palestrina, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 87 BPM | ||
| Symphonie en Sol Mineur, Op. 25: Modérément Lent - Allegro | Marcel Dupré, Jeremy Filsell, Barry Wordsworth, BBC Concert Orchestra | G Minor | 2 | 6A | 102 BPM | ||
| Credo in F Major: II. Crucifixus | Antonio Lotti, Thomas Hengelbrock | B Minor | 1 | 10A | 94 BPM | ||
| Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 74 BPM | ||
| Variatie 4, Trumpet voluntary, "Wat God doet ,dat is wel gedaan" - Instrumentaal | Jorrit Woudt | F Major | 0 | 7B | 77 BPM | ||
| Sacrae symphoniae: Sonata pian e forte a 8 (Arr. E. Crees) | Giovanni Gabrieli, London Symphony Brass, Eric Crees | A Minor | 1 | 8A | 96 BPM | ||
| Wat de toekomst brenge moge - Liedbewerking | André van Vliet | B♭ Major | 1 | 6B | 72 BPM | ||
| Sonate No. 1: Final | Alexandre Guilmant, Olivier Latry | D Major | 3 | 10B | 59 BPM | ||
| 3 Six-Part Choirs, Op.39: II. Abendlied | Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry | E Minor | 1 | 9A | 79 BPM | ||
| Coronation March | Giacomo Meyerbeer, Huw Williams | E♭ Major | 3 | 5B | 102 BPM | ||
| Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | ||
| Le Chemin de le Croix, Op. 29: Station IV: Jésus rencontre sa mère | Marcel Dupré, Ben van Oosten | D Minor | 0 | 7A | 67 BPM | ||
| Schubert: 3 Marches militaires, Op. 51, D. 733: No. 1 in D Major (Arr. for Organ) | Franz Schubert, Noel Rawsthorne | D Major | 2 | 10B | 97 BPM | ||
| Clavier-Übung III: Aus tiefer Not schrei ich zu dir, BWV 686 | Johann Sebastian Bach, James McVinnie | E Minor | 1 | 9A | 79 BPM | ||
| Toccata uruille: Iloitse, morsian | Vesa Kajava | E Minor | 2 | 9A | 66 BPM | ||
| Confitebor tibi Domine, ZWV 72: Et in saecula saeculorum - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | B Major | 2 | 1B | 100 BPM | ||
| O Grote Christus, Eeuwig Licht | Klaas Jan Mulder | C Major | 1 | 8B | 71 BPM | ||
| Évocation, Op. 37: III. Allegro deciso | Marcel Dupré, Ben van Oosten | C Major | 3 | 8B | 101 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| Makri | Dinbin Mau | B♭ Minor | 2 | 3A | 170 BPM | ||
| Atonement | David John Hicken, David Hicken | C Minor | 3 | 5A | 133 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM |