On October 6, 2018, the song "Hun To Gayi Ti" was released by Lalitya Munshaw. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Hun To Gayi Ti's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 81 in the song's album "Non Stop Raas Garba by Lalitya Munshaw". In this album, this song's track order is #48. Furthermore, we believe that the track originated from India. In terms of popularity, Hun To Gayi Ti is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hun To Gayi Ti by Lalitya Munshaw having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naiya Jukavi Meto | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Mhala Re Mahal | Lalitya Munshaw | G Minor | 8 | 6A | 177 BPM | ||
| Kunjika Stotram | Prem Prakash Dubey | F♯ Major | 7 | 2B | 142 BPM | ||
| Narayana | Sachin Llimaye | C Major | 4 | 8B | 89 BPM | ||
| Na Nahi Avu | Lalitya Munshaw | E♭ Major | 6 | 5B | 150 BPM | ||
| Dradh In Charanan Kero Bharoso | Pushtivrund | C Major | 3 | 8B | 105 BPM | ||
| Kakbhusundi Path | Morari Bapu | A Major | 7 | 11B | 100 BPM | ||
| Ravi Rudra Pitamah Saraswati Vandana | Susmirata Dawalkar | B Major | 2 | 1B | 171 BPM | ||
| Jagannath Ashtakam | Harinaam Das | F Minor | 5 | 4A | 120 BPM | ||
| Shiv Panchakshar Stotram | Sarita Joshi | G Major | 7 | 9B | 110 BPM | ||
| Tvameva Maata Cha Pitaa Tvameva | Sumeet Tappoo | D♭ Major | 3 | 3B | 105 BPM | ||
| Anyatha Sharanam Nasti | Anandita Basu | E♭ Major | 4 | 5B | 170 BPM | ||
| Kanakdhara Stotram | Shubhangi Singh | D Major | 2 | 10B | 105 BPM | ||
| Moist, RR047 - Original | Hanif, Rakesh Chaurasia, Lalitya Munshaw | E Minor | 3 | 9A | 109 BPM | ||
| Tuj Magato Me Aata | Vidya Harikrishna, Hridaynath Mangeshkar, Ramakrishna Babu Somayaji, Radhika Balakrishnan, Sukanya Iyer, Abhinaya Chandrashekhar, Chaitanya Harikrishna | F♯ Major | 6 | 2B | 150 BPM | ||
| Bhaye Pragat Kripala Ram Stuti | Prem Prakash Dubey | A♭ Major | 4 | 4B | 84 BPM | ||
| Navgraha Stotram | Debasish Chakraborty | B Major | 4 | 1B | 90 BPM | ||
| Gajanan -Dhun | Lalitya Munshaw, Children | D♭ Major | 6 | 3B | 152 BPM | ||
| Hare Ram Hare Krishna Dhun | Suresh Wadkar, Lalitya Munshaw | E♭ Major | 5 | 5B | 190 BPM | ||
| Aum Bhoor Bhuwah Swah | Children, Shaan | G Major | 5 | 9B | 90 BPM | ||
| Janak Nandini (Shree Janki Stuti) | TANVI SENJALIYA | C Major | 2 | 8B | 169 BPM | ||
| सदा सर्वदा योग तूझा घडावा | Marathi Bhakti Geet | B♭ Major | 3 | 6B | 78 BPM | ||
| Satyug Me Hari Dhyan Se Rijhe | Tanvi Senjaliya | A♭ Minor | 1 | 1A | 110 BPM | ||
| Om Gan Ganpataye | Lalitya Munshaw | A♭ Major | 6 | 4B | 123 BPM | ||
| Om Hram Hreem Hroum Sah Suryaya Namah: Surya Beej Mantra 108 Times in 5 Minutes | Dinesh Arjuna | E Major | 7 | 12B | 82 BPM |