Midnight Blues's 'Across the Hills' had a release date set for September 5, 2025. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Across the Hills's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Way Back Home". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Australia. In terms of popularity, Across the Hills is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Across the Hills by Midnight Blues having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dead Grass | Mae Carter | F♯ Major | 2 | 2B | 100 BPM | ||
| under the weather | Sebastian Jautschus | G Major | 2 | 9B | 100 BPM | ||
| Taken with Her Eyes | Jeremy Spencer | A Major | 2 | 11B | 109 BPM | ||
| First Vibes | Brian Grey | F Minor | 2 | 4A | 174 BPM | ||
| Through These Quiet Streets | The Umbrella Band | C Minor | 1 | 5A | 65 BPM | ||
| Restful Darkness | Mae Carter | F♯ Major | 2 | 2B | 100 BPM | ||
| Plowshare Yard | Nordic Numa | F Minor | 3 | 4A | 81 BPM | ||
| Melodies of Us | Serenade Jazz Ensemble | A Major | 1 | 11B | 119 BPM | ||
| Bone-Tired | Mae Carter | F♯ Major | 2 | 2B | 100 BPM | ||
| Slow Walk to Sunrise | Midnight Blues | G Minor | 3 | 6A | 123 BPM | ||
| Unchained Groove | The Midnight Groove | D♭ Minor | 3 | 12A | 126 BPM | ||
| Axle Grease | The Rusted Stage | F Minor | 3 | 4A | 75 BPM | ||
| Tonight, I Won't Sing About You | Anson Tran | D Major | 1 | 10B | 118 BPM | ||
| Swallowed by the Clouds | Midnight Blues | A Minor | 2 | 8A | 119 BPM | ||
| Hushed Fields | Midnight Blues | E Minor | 2 | 9A | 120 BPM | ||
| Golden Hour | Midnight Blues | E Minor | 3 | 9A | 132 BPM | ||
| Main Title (From: „Scarface“) | Noir Collective | A♭ Major | 2 | 4B | 65 BPM | ||
| Another One Going Down | Berdon Kirksaether & the Twang Bar Kings | B Minor | 4 | 10A | 112 BPM | ||
| Woven in Sunset | Miles Vesper | D♭ Major | 1 | 3B | 69 BPM | ||
| Sun Street | Ola W Jansson, W JAZZ TRIO | D Major | 1 | 10B | 108 BPM | ||
| Peavine Sandhills | Circle Blues Project | D Minor | 4 | 7A | 80 BPM | ||
| Muted Moon | James Butler | B♭ Major | 1 | 6B | 119 BPM | ||
| Ragpicker Alley | Cyan City Blues | D♭ Major | 3 | 3B | 166 BPM | ||
| Là dove finisce il sentiero | Dolce Vita | E Minor | 2 | 9A | 129 BPM | ||
| Sunny Shadow | Morris Valentin | C Minor | 1 | 5A | 96 BPM |