Manabendra Mukherjee's 'Andhakare Ese Tumi' had a release date set for December 31, 1981. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Andhakare Ese Tumi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "Nazrulgeeti Manabendra Mukherjee And Anup Ghoshal". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Andhakare Ese Tumi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andhakare Ese Tumi by Manabendra Mukherjee having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Badhu Michey Raag Koro Na | Rezwana Choudhury Bannya | D Major | 3 | 10B | 127 BPM | ||
| Dosh Karo Noy Go Ma | Pannalal Bhattacharya | C Major | 2 | 8B | 128 BPM | ||
| Arunokanti Key Go | Manomay Bhattacharya, Pandit Debojyoti Bose | F Major | 3 | 7B | 112 BPM | ||
| Sabar Hridaye Rabindranath | Bhupen Hazarika | B Minor | 4 | 10A | 152 BPM | ||
| Ganga Amar Ma | Bhupen Hazarika | D♭ Minor | 4 | 12A | 123 BPM | ||
| Jodi Sorone Aashe More | Firoza Begum | E Minor | 4 | 9A | 119 BPM | ||
| Kon Se Alor Swapna Niye | Asha Bhosle | G Major | 3 | 9B | 122 BPM | ||
| Tumi Phiraya Diyechha Bole | Manabendra Mukherjee, Satinath Mukherjee | B Minor | 5 | 10A | 178 BPM | ||
| Uchatano Mon Gharey Roi Na | Mohammed Rafi | D♭ Major | 4 | 3B | 129 BPM | ||
| Sei To Basanta Phire Elo | Debabrata Biswas, Aditi Sengupta | A♭ Major | 2 | 4B | 95 BPM | ||
| Shikwa Na Kar Gila Na Kar | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| Tumi Nirmal Karo Mangal Kare | Pannalal Bhattacharya | F Minor | 3 | 4A | 134 BPM | ||
| Maa Amar Rajar Meye | Dhananjay Bhattacharya | C Major | 3 | 8B | 113 BPM | ||
| Ke Jaas Re | S. D. Burman | D♭ Minor | 1 | 12A | 149 BPM | ||
| Amar Din Kate Na | Asha Bhosle | F♯ Major | 2 | 2B | 102 BPM | ||
| Na Hoy Mon Dite Tumi Parona | Akhil Bandhu Ghosh | E♭ Major | 3 | 5B | 159 BPM | ||
| Mayaboti Meghe Elo Tandra | Sandhya Mukherjee | D Major | 5 | 10B | 160 BPM | ||
| Banshuriya | Kabir Suman | G Major | 5 | 9B | 129 BPM | ||
| Tunhu Mamo Monopran Hey | Sandhya Mukherjee | E♭ Major | 3 | 5B | 126 BPM | ||
| Adho Raate Jodi Ghum Bhenge Jay | Talat Mahmood | F Minor | 2 | 4A | 90 BPM | ||
| Path Cholite Jodi | Firoza Begum | C Minor | 3 | 5A | 168 BPM | ||
| Ami Kothay Pabo Tare | Amar Pal | A♭ Major | 4 | 4B | 109 BPM | ||
| Bare Bare Ke Jeno Dake | Manabendra Mukherjee | C Major | 4 | 8B | 133 BPM | ||
| Ore Bhai Phagun Legeche | Swagatalakshmi Dasgupta | B♭ Major | 1 | 6B | 81 BPM |