On October 9, 1998, the song "Tijo Kanne Pinki Main Bayah Ni Karana" was released by Anuj Sharma, Rakesh Thakur, Urmila Dheer. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Raat Pei Gumme De Naalo". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Tijo Kanne Pinki Main Bayah Ni Karana is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tijo Kanne Pinki Main Bayah Ni Karana by Anuj Sharma, Rakesh Thakur, Urmila Dheer having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bastarhin Bala | Hiresh Sinha, Indrani Verma | A♭ Major | 9 | 4B | 126 BPM | ||
| Ye Chhore Ahira Ke | Karamvir Fouji | G Minor | 10 | 6A | 81 BPM | ||
| Kajar Ke Kothi Ma | Alka Chnadrakar, Anuj Sharma | C Major | 7 | 8B | 80 BPM | ||
| Pagal Banawe | Sinta Bhai, Filmy | E Minor | 8 | 9A | 196 BPM | ||
| Ghaghra | Dev Kumar Deva, Farmani Naaz | A Minor | 9 | 8A | 120 BPM | ||
| DC Ki Saali | Sharwan Balambiya, Sushila Nagar | A♭ Major | 9 | 4B | 118 BPM | ||
| Maja Lele Barati - Remix | Anuj Sharma, Nilesh Kurrey | C Minor | 10 | 5A | 130 BPM | ||
| Aama Paan Ke Patri | Dilip Shadangi | D♭ Major | 6 | 3B | 110 BPM | ||
| Matki Tut Javegi | Sharvan Balambiya, Mamta Swami | F♯ Minor | 9 | 11A | 85 BPM | ||
| Maya Ke Bairi | Mamta Sahu | D♭ Major | 8 | 3B | 91 BPM | ||
| Tola Soch Ke | Rishiraj Pandey, Suparna Sarkar | B Minor | 6 | 10A | 157 BPM | ||
| Goli Bhatkadu | Akash Bhamla, Gyanender Sardhana | F Minor | 7 | 4A | 168 BPM | ||
| Pahle Aali Hawa Rahi Na | Ramkesh Jiwanpur Aala | F♯ Major | 9 | 2B | 132 BPM | ||
| Aarug Kalsa - Remix | Anuj Sharma, Shrikant Shrivastava, Suryakant Shrivastava | F♯ Major | 7 | 2B | 100 BPM | ||
| Sapera | Raju Punjabi, Sushila Takhar | A♭ Major | 9 | 4B | 136 BPM | ||
| Brahman Kul - Original | Vipin Patadiya, Harender Nagar, NA | F♯ Major | 9 | 2B | 140 BPM | ||
| Kochai Pan Female | Kanchan Joshi | G Major | 10 | 9B | 145 BPM | ||
| Jaat Dekh Ke | CK Nara, Pratham The Haryanvi | F Minor | 9 | 4A | 108 BPM | ||
| Baithungi Creta Car Mein | Dev Kumar Deva, Kanchan Nagar | F♯ Minor | 9 | 11A | 130 BPM | ||
| Nav Din Navraat | Anuj Sharma | F Minor | 9 | 4A | 196 BPM | ||
| Kono Koti | Navin Sahu, Kanchan Joshi | A Minor | 8 | 8A | 112 BPM | ||
| Tera Ditra Kya Laya Wo | Anuj Sharma, Rakesh Thakur, Urmila Dheer, Vinit Dheer | G Major | 8 | 9B | 200 BPM | ||
| Barat Jatav Ki | NISHANT SINGH SIKANDRABAD, Trishala Bauddh, Zara Khan | A♭ Minor | 9 | 1A | 120 BPM | ||
| Mongra Kare Miss Call | Mongra Vishwkarma, Dani Verma | E Minor | 9 | 9A | 136 BPM | ||
| Ghum Ghaghre Aali | Vikash Kumar, Yashpreet Kaur | A Minor | 9 | 8A | 130 BPM |