"Better Days to Come" by Ian Livingstone, Matthew Moore had its release date on January 16, 2026. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Better Days to Come's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ian Livingstone, Matthew Moore's "Hopes and Visions" album is number 2 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Better Days to Come is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Better Days to Come by Ian Livingstone, Matthew Moore to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nytherion Bloom | Klynthex | D♭ Major | 1 | 3B | 94 BPM | ||
| The End | Richard Beddow | D Minor | 3 | 7A | 69 BPM | ||
| Nada Mas Importa | Dos En La Manga | A Major | 1 | 11B | 140 BPM | ||
| Driftlayer | Velora | E Minor | 0 | 9A | 116 BPM | ||
| Fear the Lion | Cavid Babayev, Constalanta | B♭ Major | 3 | 6B | 100 BPM | ||
| The Last Kiss | Matthew Moore, Ian Livingstone | G Major | 3 | 9B | 160 BPM | ||
| Warface | Koda Bark | F♯ Minor | 1 | 11A | 120 BPM | ||
| Loneliness | Stephen Root, Ian Livingstone | F Minor | 1 | 4A | 66 BPM | ||
| Contra Todos | Dos En La Manga | C Major | 3 | 8B | 90 BPM | ||
| Hunger March | Nicolas de Ferran | D♭ Major | 1 | 3B | 109 BPM | ||
| A New Dawn (feat. Julie Seechuk) | Ian Livingstone, Ethan Livingstone, Julie Seechuk | F Minor | 4 | 4A | 115 BPM | ||
| Dragonfly | Koda Bark | A♭ Major | 3 | 4B | 95 BPM | ||
| Escribiendo Tragedias | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
| Choirs of War | Dream Cave | A♭ Major | 4 | 4B | 118 BPM | ||
| Cataclismos | Hombres De Marte | B♭ Major | 6 | 6B | 170 BPM | ||
| England (The Industrial Era) | Geoff Knorr | D Major | 1 | 10B | 97 BPM | ||
| One Last Time | Stephan Bark, Humanix | C Major | 2 | 8B | 105 BPM | ||
| Oblivion (Theme from "Walter") | Zeki Cavkaytar | F Major | 0 | 7B | 134 BPM | ||
| Start Screen (feat. Julie Seechuk) [Bonus Track - F1 2021] | Ian Livingstone, Julie Seechuk | G Minor | 3 | 6A | 100 BPM | ||
| Fukushima | Farid Ibazade, Pharoah | F♯ Major | 2 | 2B | 100 BPM | ||
| Figli Del Sole | Sagrifizio | G Major | 5 | 9B | 110 BPM | ||
| Galactic Battles | Bonnie Grace | F♯ Minor | 3 | 11A | 101 BPM | ||
| Utopia | Aleksey Voron | F Major | 5 | 7B | 105 BPM | ||
| Specks in the Sun | Anže Rozman, Andrew Christie | D♭ Major | 2 | 3B | 94 BPM | ||
| Descolocado Y Frio | Dos En La Manga | E Major | 2 | 12B | 79 BPM |