Radha Thandaveshwar, Rama Sadashiv's ' "Thunga Theeravirajam" was released on its scheduled release date, April 10, 2001. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Thunga Theeravirajam's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Thugire Rayara". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Thunga Theeravirajam is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Thunga Theeravirajam by Radha Thandaveshwar, Rama Sadashiv having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saraswathy Gayatri | Bombay Saradha | A♭ Major | 6 | 4B | 150 BPM | ||
| Anthada Chanthada | Madhu Balakrishnan | C Minor | 8 | 5A | 96 BPM | ||
| Ninna Nambide | Sri Vidyabhushana | G Major | 5 | 9B | 89 BPM | ||
| Siddharudhaswamy Dhyana | Annamalai Sundermurthy, Shivananda Huleppanavar, Gururaj Kendhuli | G Major | 6 | 9B | 102 BPM | ||
| Lingavane Arithavaru | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | F♯ Minor | 7 | 11A | 91 BPM | ||
| Shankarara Sthothrake | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F♯ Major | 4 | 2B | 172 BPM | ||
| Thoogire Rangana Thoogire Krishnana | Ratnamala Prakash | D Major | 3 | 10B | 111 BPM | ||
| Neeranjanam | Usha Mohan | B Major | 3 | 1B | 136 BPM | ||
| Kumbashi Mahaganapane | Puttur Narasimha Nayak | E♭ Minor | 6 | 2A | 103 BPM | ||
| Koogidaru Dhwani Kelade | Venkatesh Kumar | B♭ Minor | 6 | 3A | 98 BPM | ||
| Vigna Vinayakane | K. Veeramani | D Major | 7 | 10B | 147 BPM | ||
| Pagai Kadithal | Veeramanidasan | G Major | 7 | 9B | 171 BPM | ||
| Sokaapahaari | K.S.Deekshith, Samavadam Shanmuga Sharma, S. P. Sailaja | A Major | 6 | 11B | 117 BPM | ||
| Ame To Tara | Nidhi Dholakia | B♭ Minor | 4 | 3A | 144 BPM | ||
| Raghvendra Gururayara | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | F♯ Minor | 5 | 11A | 141 BPM | ||
| Heyrambha Deva Nee | Rajesh Krishnan | E♭ Major | 8 | 5B | 96 BPM | ||
| Ee Adaradali Sarigama Garigala | Rajesh Krishnan, Chitra, Rajesh Ramnath, S. Narayan | C Major | 2 | 8B | 183 BPM | ||
| Haadu Manave | Puttur Narasimha Nayak | G Major | 4 | 9B | 118 BPM | ||
| Santana Prapaitti Vigneshwara Stotram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 4 | 7B | 147 BPM | ||
| Pogadirelo Ranga | Purandara Dasara Bhakta Bandugalu | D♭ Major | 8 | 3B | 115 BPM | ||
| Duddu Kottare | Shivarudriaha Gowd, Sidrama Patil, Siddanna Desai | E♭ Minor | 7 | 2A | 179 BPM | ||
| Mangalamamma | S. P. Sailaja | C Major | 6 | 8B | 145 BPM | ||
| Akhilandeswari-Ms Subbulakshmi & Radha Viswanathan | M. S. Subbulakshmi, Radha Viswanathan | D Major | 6 | 10B | 79 BPM | ||
| Maayanai Mannu | M. L. Vasanthakumari | G Major | 4 | 9B | 114 BPM | ||
| Omme Ninna Veeneyannu | Rajkumar | D♭ Major | 3 | 3B | 91 BPM |