Polaris's ' "Aftertouch - Instrumental" was released on its scheduled release date, September 5, 2025. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 11 in Fatalism (Instrumental) by Polaris. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Aftertouch - Instrumental's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Aftertouch - Instrumental by Polaris is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Technophobia | Old Tech | A♭ Major | 10 | 4B | 200 BPM | ||
| Vow | Shades of Black | C Minor | 10 | 5A | 120 BPM | ||
| Timeflow | MELS | G Major | 10 | 9B | 148 BPM | ||
| Portraits | cohen_noise | A♭ Major | 10 | 4B | 200 BPM | ||
| Lost-n-Found (On A Roll) - Instrumental | Issues | D♭ Minor | 10 | 12A | 120 BPM | ||
| Ipswich | Chronologist | F♯ Minor | 8 | 11A | 96 BPM | ||
| The Guillotine | Ola Englund | F Major | 9 | 7B | 154 BPM | ||
| Sun | Dely Winstead | C Major | 10 | 8B | 91 BPM | ||
| Perception | Harvs | F Major | 8 | 7B | 150 BPM | ||
| Emigrate | Chronologist | G Major | 9 | 9B | 112 BPM | ||
| suffer. - instrumental. | What Lies Below | E♭ Major | 9 | 5B | 160 BPM | ||
| Day One | Joel Lindfors | D♭ Major | 9 | 3B | 82 BPM | ||
| Faraday Drive | Dillon Knighton | B♭ Major | 9 | 6B | 106 BPM | ||
| Taurus | Their Dogs Were Astronauts | A♭ Minor | 8 | 1A | 170 BPM | ||
| Silver Hand | Darkfield | B♭ Major | 5 | 6B | 130 BPM | ||
| Discrete Time | Aric Fowler | E♭ Major | 9 | 5B | 111 BPM | ||
| Echo Cave Ritual | Handpan Universe | A♭ Major | 10 | 4B | 200 BPM | ||
| Dead Star | One Decade | D Major | 9 | 10B | 96 BPM | ||
| Visible Unseen - Instrumental | Silent Planet | E Major | 4 | 12B | 165 BPM | ||
| We Who Lament - Instrumental | Earthside | D♭ Major | 9 | 3B | 124 BPM | ||
| The Anatomy of Evil - Instrumental | Like Moths To Flames | F♯ Major | 10 | 2B | 130 BPM | ||
| An Interlude | Atreyu | E Minor | 8 | 9A | 159 BPM | ||
| Better Days - Instrumental | Currents | G Minor | 9 | 6A | 165 BPM | ||
| Dissipate - Instrumental | Polaris | C Minor | 9 | 5A | 126 BPM | ||
| Left on Red | Thrailkill | A♭ Minor | 10 | 1A | 173 BPM |