Worthy Is Lamb That Was Slain…Amen by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra Song Details

George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'Worthy Is Lamb That Was Slain…Amen' had a release date set for January 1, 1987. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 30 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, Worthy Is Lamb That Was Slain…Amen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Worthy Is Lamb That Was Slain…Amen by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -15.306 dB
Acousticness: 94%
Danceability: 32%
Energy: 27%
Instrumentalness: 34%
Liveness: 12%
Loudness: 74%
Speechiness: 3%
Valence: 26%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Messiah, HWV 56: No. 44. Chorus: Hallelujah (Chorus)	George Frideric Handel, Eileen Farrell, Martha Lipton, William Warfield, The Tabernacle Choir at Temple Square, Eugene Ormandy, Philadelphia Orchestra, Gilbert Johnson	D Major	3	10B	100 BPM
And The Glory Of The Lord	London Philharmonic Orchestra	E Major	4	12B	71 BPM
Aria. But who may abide the day of His coming (Alto)	George Frideric Handel, Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan, Masaaki Suzuki	D♭ Minor	1	12A	82 BPM
In Paradisum	The Cambridge Singers	D Major	1	10B	61 BPM
Ev'ry Valley Shall Be Exalted - Tenor	George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra	E Major	1	12B	107 BPM
For Unto Us a Child Is Born	The Tabernacle Choir at Temple Square, Orchestra at Temple Square	C Major	2	8B	94 BPM
Come, Thou Redeemer of the Earth	The Choir of the Cathedral Church of the Advent	D Major	3	10B	84 BPM
Make me a channel of Your Peace	Temple arr Martin Neary, The Choir Of Westminster Abbey, Martin Neary, Martin Baker (organ), London Brass	D Major	2	10B	69 BPM
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu Joy Of Man's Desiring	Johann Sebastian Bach, St. Paul's Cathedral Choir, Neil Black, English Chamber Orchestra, Barry Rose	G Major	0	9B	71 BPM
Come,Thou Long Expected Jesus	The Scottish Festival Singers	E Minor	1	9A	132 BPM
Worthy Is the Lamb That Was Slain	The Tabernacle Choir at Temple Square, Orchestra at Temple Square	C Major	2	8B	94 BPM
Shepherds, in the Field Abiding (Arr. D. Willcocks)	Edward Shippen Barnes, The Cambridge Singers, John Rutter	A Major	1	11B	111 BPM
Goodenough: Psalm CL: O Praise God in His Holiness	Robert Philip Goodenough, Choir of King's College, Cambridge, Sir David Willcocks	G Major	2	9B	78 BPM
Adeste fideles (Arr. for Choir & Orchestra by Alice Parker) - Remastered 2023	John Francis Wade, Atlanta Symphony Orchestra, Robert Shaw	B♭ Major	0	6B	60 BPM
Messiah: Part 3, Amen (Chorus)	The Sixteen	D♭ Major	3	3B	109 BPM
Lo, How A Rose E'er Blooming (Es ist Ein' Ros' Entsprungen)	Michael Praetorius, Kathleen Battle, Leonard Slatkin, The Boys Choir Of Harlem, Orchestra of St. Luke's, New York Choral Artists	G Major	1	9B	65 BPM
Once in Royal David's City	King's College Choir	G Major	1	9B	75 BPM
Missa Brevis No. 7 In B Major St. Joannis De Deo - Credo	Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger	F♯ Major	1	2B	104 BPM
Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea	Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent	D Major	4	10B	96 BPM
There Is A Green Hill Far Away	St. Michael's Singers	B♭ Major	2	6B	89 BPM
Rejoice in the Lord Always	The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary	A♭ Major	2	4B	71 BPM
The Day Thou Gavest, Lord, Is Ended	Clement Cotterill Scholefield, John Rutter, John Scott, The Cambridge Singers	G Major	1	9B	133 BPM
Mass No.2 in G Major, D.167: VI. Agnus Dei	Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra	F Major	0	7B	159 BPM
This Joyful Eastertide (Arr. C. Wood)	Traditional, The Cambridge Singers, John Rutter	D♭ Major	1	3B	128 BPM
Messe de Minuit, H. 9: Kyrie	Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre	C Minor	0	5A	90 BPM