"The Aftermath - Score" by Harry Gregson-Williams had its release date on January 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 12 in Déjà Vu (Score) by Harry Gregson-Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Aftermath - Score is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Aftermath - Score by Harry Gregson-Williams is Presto (very, very fast), since this song has a tempo of 200 BPM. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clary's Theme | Atli Örvarsson | D Minor | 1 | 7A | 95 BPM | ||
| Alive And Together | Junkie XL | C Major | 1 | 8B | 70 BPM | ||
| The Resurrection Stone | Alexandre Desplat | D♭ Minor | 0 | 12A | 69 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| The Young Messiah Theme (feat. Bethany Woods) | John Debney, Bethany Woods | C Major | 2 | 8B | 114 BPM | ||
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| The Fourth Virtue - Extended | Harry Gregson-Williams | D Minor | 0 | 7A | 82 BPM | ||
| Silently Yearning For Centuries | Randy Edelman | F Minor | 1 | 4A | 67 BPM | ||
| The Green Mile | Thomas Newman | A Minor | 2 | 8A | 112 BPM | ||
| The Darkest Hour | Rob Lane | D Minor | 1 | 7A | 46 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| Four Ounces Can Move a Thousand Pounds | Harry Gregson-Williams | F♯ Major | 2 | 2B | 114 BPM | ||
| See You Tomorrow | John Powell | G Major | 6 | 9B | 123 BPM | ||
| Elephant Waterfall | John Debney | A Minor | 2 | 8A | 88 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| We're Dark Fey | Geoff Zanelli | B Minor | 3 | 10A | 84 BPM | ||
| Mammoths | John Powell | C Major | 5 | 8B | 98 BPM | ||
| When Ginny Kissed Harry | Nicholas Hooper | E Minor | 1 | 9A | 84 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Surfing | Harry Gregson-Williams | A Major | 2 | 11B | 134 BPM | ||
| Autumn Love | Thomas Bergersen | C Minor | 1 | 5A | 140 BPM | ||
| Where's Hiccup? | John Powell | G Major | 1 | 9B | 83 BPM | ||
| Neptune | Bonnie Grace | G Minor | 1 | 6A | 172 BPM | ||
| Merry Men | Marc Streitenfeld | E Minor | 5 | 9A | 178 BPM |