Lata Mangeshkar, Mohammed Rafi's ' "Chhadi Re Chhadi" was released on its scheduled release date, December 29, 1975. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Madan Mohan's "Mausam (Original Motion Picture Soundtrack)" album is number 5 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Chhadi Re Chhadi is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Chhadi Re Chhadi by Lata Mangeshkar, Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kahin Pe Nigahen Kahin Pe Nishana | O. P. Nayyar, Majrooh Sultanpuri | E♭ Major | 3 | 5B | 106 BPM | ||
| Tu Mungada Mungada | Usha Mangeshkar | D♭ Minor | 6 | 12A | 100 BPM | ||
| Tumhen Ho Na Ho | Runa Laila | D♭ Major | 5 | 3B | 87 BPM | ||
| Zindagi Kaisi Hai Paheli | Manna Dey | C Major | 6 | 8B | 98 BPM | ||
| Jeevan Ke Din, Pt. 1 | Udit Narayan, Baby Preeti, Majrooh Sultanpuri | B♭ Minor | 5 | 3A | 149 BPM | ||
| Door Koi Gaye | Naushad, Shakeel Badayuni, Lata Mangeshkar, Shamshad Begum | A Minor | 2 | 8A | 87 BPM | ||
| Man Tarpat Hari Darshan Ko Aaj | Naushad, Shakeel Badayuni, Mohammed Rafi | A Major | 2 | 11B | 104 BPM | ||
| Sajna Sun Sun.. | Rajesh Roshan, Lata Mangeshkar | A♭ Minor | 4 | 1A | 148 BPM | ||
| O Rabba Koi To Bataye | Anuradha Paudwal, Suresh Wadkar | D Major | 5 | 10B | 77 BPM | ||
| Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi | F♯ Major | 4 | 2B | 100 BPM | ||
| Bahon Mein Chale Aao - With Dialogues | Sanjeev Kumar, Jaya Bhaduri, Lata Mangeshkar, R. D. Burman | B Major | 3 | 1B | 73 BPM | ||
| Na Jane Kahan Tum The | Manna Dey, Suman Kalyanpur | E♭ Major | 6 | 5B | 136 BPM | ||
| Dialogues And Na Koi Umang Hai And Dialogues | Asha Parekh, Lata Mangeshkar, R. D. Burman | E♭ Minor | 7 | 2A | 158 BPM | ||
| Tum Besahara Ho - Sad | Manna Dey, Laxmikant–Pyarelal | D Major | 9 | 10B | 123 BPM | ||
| Main Pyar Ka Rahi Hoon | Asha Bhosle, Mohammed Rafi | D♭ Minor | 3 | 12A | 116 BPM | ||
| Ae Nargise Mastana (From "Arzoo") | Mohammed Rafi | G Major | 5 | 9B | 147 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Main Hoon Prem Rogi | Suresh Wadkar, Laxmikant–Pyarelal | E Minor | 8 | 9A | 157 BPM | ||
| Chham Chham Baje Re Payaliya | Manna Dey | A♭ Minor | 6 | 1A | 109 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| O Hare Dupattewali | Vipin Sachdeva | F Major | 8 | 7B | 93 BPM | ||
| Aage Sukh To Peeche Dukh Hai | Nitin Mukesh, Kavita Krishnamurthy | E♭ Minor | 6 | 2A | 149 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Pyar Mein Kabhi Kabhi - From "Chalte Chalte" | Shailendra Singh, Lata Mangeshkar | D Major | 8 | 10B | 80 BPM |