Jaspal Jassi's ' "Yaad" was released on its scheduled release date, February 23, 2007. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Surender Bachan, Jaspal Jassi's "Mulakat" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Yaad is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Yaad by Jaspal Jassi to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baith Babe De Tange Te | Baaz Singh Baaz, Sukhwinder Sukhi | D♭ Minor | 7 | 12A | 113 BPM | ||
| Chabhi 2 | Baljit Malwa, Pushpinder Kaur | D♭ Major | 8 | 3B | 135 BPM | ||
| Ik Ik Tathay | Jaspal Jassi | A♭ Major | 9 | 4B | 84 BPM | ||
| Uddikan - 1985 | Hakam Sufi | D♭ Minor | 6 | 12A | 102 BPM | ||
| Mere Haniyon | Raj Brar | D♭ Minor | 8 | 12A | 80 BPM | ||
| Sunehri Akkhar | Amar Arshi, Miss Pooja, Narinder Jot | E Minor | 7 | 9A | 168 BPM | ||
| Puniyan Di Raat Vargi | Didar Sandhu, Surinder Kaur | B♭ Minor | 5 | 3A | 172 BPM | ||
| Bhabhiye | Surjit Bhular | B♭ Minor | 9 | 3A | 82 BPM | ||
| Uddi Chal Morniye | Raj Brar | D♭ Major | 7 | 3B | 94 BPM | ||
| Katdian Ratan Tare Gin Gin Ke | Surinder Shinda, Gulshan Komal | F♯ Major | 6 | 2B | 78 BPM | ||
| Vekhin Dil Laa Na Baitheen | Harbhajan Mann, Gursewak Mann | A♭ Minor | 5 | 1A | 90 BPM | ||
| Khulle Khaatay | Manmohan Waris | E Minor | 10 | 9A | 168 BPM | ||
| Jaa Ni Tere Baajho | Jaspal Jassi | E♭ Minor | 7 | 2A | 81 BPM | ||
| Kar Yaad Kurhe | Amar Singh Chamkila, Amarjot | B♭ Minor | 8 | 3A | 155 BPM | ||
| Ik Teri Yaad (The Slow Joint) | Ashok Prince, Tru-Skool | F Minor | 10 | 4A | 99 BPM | ||
| Baba Ve Kala Maror | Jagmohan Kaur, K. Deep | D♭ Major | 4 | 3B | 112 BPM | ||
| Saun | Sabar Koti | E♭ Minor | 9 | 2A | 77 BPM | ||
| Nachna Patola Banke | Satwinder Bitti | D♭ Minor | 7 | 12A | 80 BPM | ||
| Akhian | Baljit Malwa | E Minor | 9 | 9A | 78 BPM | ||
| Vohti Oh Leni | A.S. Kang | B♭ Minor | 9 | 3A | 98 BPM | ||
| Ghar Tera Door | Muhammad Sadiq, Ranjit Kaur | D♭ Major | 7 | 3B | 91 BPM | ||
| Yaar Na Vichhre | Satwinder Bugga | D♭ Major | 5 | 3B | 170 BPM | ||
| Tera Chehra | Sabar Koti | D♭ Minor | 8 | 12A | 120 BPM | ||
| Apni Than | Inderjit Nikku | B♭ Minor | 8 | 3A | 148 BPM | ||
| Bolian 2019 | Pammi Bai, Afsana Khan | E Minor | 9 | 9A | 120 BPM |