Hi-Fi Set's ' "TWO IN THE PARTY" was released on its scheduled release date, 1998. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hi-Fi Set's "GOLDEN J-POP/THE BEST Hi-Fi SET" album is number 5 out of 16. On top of that, Japan appears to be the country where this track was created. TWO IN THE PARTY is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of TWO IN THE PARTY by Hi-Fi Set to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stay In My Eyes | Tomoko Aran | C Major | 4 | 8B | 160 BPM | ||
| とどかぬ想い | Mariya Takeuchi | C Major | 7 | 8B | 166 BPM | ||
| Sunset Road | 高橋玲子 | D♭ Minor | 6 | 12A | 104 BPM | ||
| you can fly | Naoko Gushima | B Major | 6 | 1B | 148 BPM | ||
| じゃじゃ馬娘 | Taeko Onuki | B Minor | 5 | 10A | 113 BPM | ||
| ピローケースにさようなら | Takako Shirai | D♭ Minor | 4 | 12A | 92 BPM | ||
| Rimember me | Step | C Minor | 6 | 5A | 114 BPM | ||
| Sunday Morning | 池田典代 | C Major | 6 | 8B | 136 BPM | ||
| あなたがいる人生 | Jin Kirigaya | E Major | 3 | 12B | 141 BPM | ||
| DESTINY | Hi-Fi Set | D Minor | 5 | 7A | 129 BPM | ||
| Last Woman | Yurie Kokubu | E♭ Major | 4 | 5B | 83 BPM | ||
| 昨日からの会釈 | Minako Ito | E Major | 7 | 12B | 133 BPM | ||
| On Sundays | EPO | D Minor | 8 | 7A | 139 BPM | ||
| 台風の夜 | Naoko Gushima | B Minor | 3 | 10A | 132 BPM | ||
| Dress Down | Kaoru Akimoto | C Major | 4 | 8B | 118 BPM | ||
| Futari Dake no Ceremony - Single Version | Yukiko Okada | F♯ Major | 7 | 2B | 145 BPM | ||
| RIVERSIDE HOTEL | S. Kiyotaka & Omega Tribe | G Major | 8 | 9B | 132 BPM | ||
| WHAT A BROKEN HEART CAN DO | 間宮貴子 | D♭ Major | 6 | 3B | 90 BPM | ||
| ファッショナブル・ラヴァー (Album Ver.) | Hi-Fi Set | E♭ Major | 9 | 5B | 148 BPM | ||
| Bewitched (Are You Leaving Soon) | Naomi Akimoto | A Minor | 7 | 8A | 133 BPM | ||
| Fascination (2017 Remastering) | Maiko Okamoto | B Minor | 9 | 10A | 116 BPM | ||
| 空中ブランコ | 泰葉 | G Major | 5 | 9B | 125 BPM | ||
| フィッシュ・アンド・チップス | Hi-Fi Set | F Major | 6 | 7B | 111 BPM | ||
| ON THE SEASHORE | Sadistics | C Major | 7 | 8B | 89 BPM | ||
| こぬか雨 | Ginji Ito | B Minor | 4 | 10A | 129 BPM |